2. The Deluge
I hear a lot of people saying that the artistry of extreme music is dying. Things are becoming more diluted and sub-genres get more and more populated, which in turn affects progression. I don't necessarily agree with that train of thought. I sat watching a documentary on Youtube last night called Metal Evolution - The Lost Episode: Extreme metal, which a follow-on piece by Sam Dunn who created Metal: A Headbanger's Journey. That documentary made me realise that even in extreme metal in 2015, there are bands with their own identities and blueprints for delivering music in their own way.
That leads me onto False, whom I don't know a great deal about. From Minnesota (USA), they started playing black metal in 2010 and two short years later, they released a mighty split with compatriots Barghest via Gilead Media. In the same year they released an Untitled EP via fellow underground label Eternal Warfare (who also release a tape version of the Barghest split). Earlier this year, their latest untitled album (and first full-length) was released by Gilead Media. Since False appears to be adhering to a social-media blackout (probably sensible), there is only audible representation available.
(Credit: Josh Martines)
US black metal has always felt kind of special to me. No longer full of pretence and corpse-paint, it’s identity has evolved and split away from the bands of old. False and all of their mystery is testament to that. Saturnalia is off-kilter, chaotic and Rachel’s vocals are so full of bile and hatred. The mid-section is splice with sombre atmosphere and post metal instrumentation, which provides a more earthly sound. In spite of moments like that, there is no let up in the intensity on The Deluge. The driving rhythm section and symphonic instrumentation in the background makes for a dramatic listen. This is no cheesy faux-Dimmu Borgir fare either! False’s majesty is even more apparent during Untitled. It’s flawless blackened battery, which is backed up by plenty of melody is just something else. They create a soundscape that swirls and lurches around you. The songs on Untitled may be lengthy, but with the breadth of False’s musical experimentation, they seem to fly by. Entropy is harrowing from the first note to it’s last. At times the riffs from the guitars are at odds with what you would consider to be melodic, but in the context of what’s around them, they fit in perfectly. The latter half of Entropy is so easy to get lost in. It’s textures and layers shine through more-so thanks to the orchestral grandeur that supports it. This journey ends with Hedgecraft. Like the songs that have come before, it marches forth at an incredibly up-tempo pace. It is weirdly uplifting for a closing number, but that is no bad thing when you consider that the record is close to an hour in length. False weaves many different elements together, choosing not to stick just to black metal. The fact that labels like Gilead believe in music and art enough to put it out there, is surely reason enough for you to pay attention if you haven’t already. Untitled needs to appreciated as a complete whole for it’s full effect to be felt. Breathtaking!
You can stream and download the record via Gilead Media here:-
Physical LP and CD copies can be purchased from the Eroding Winds store below -
False Metal-Archives - http://www.metal-archives.com/bands/False
Gilead Media Facebook - https://www.facebook.com/gileadmedia