Showing posts with label Zegema Beach Records. Show all posts
Showing posts with label Zegema Beach Records. Show all posts

Wednesday, 15 July 2026

Orphan Donor - Ailments


Labels: Self-Released/Zegema Beach Records

Formats: CD/Digital

Released: 11 May 2026


Tracklist:-


1. Ailments

2. Lampmaster

3. Frail Forms

4. Viscera Coffin

5. The Same Emptiness

6. Show Me the Way

7. Void Eyes

8. Acidic Prism


It's back to reality with a bang this week! Post-holiday blues suck. What doesn't suck though is that Oprhan Donor released a new album back in May! It was self-released digitally by the band, while ZBR did a run of 100 digipak CDs. Grind meets metal meets noise-rock meets skramz.


Pennsylvania’s Orphan Donor are building a reputation for colourful, eye-catching album art (courtesy of @melted.gif here) and music that’s a beast all of its own. Starting off with the album title-track ‘Ailments’, you’re greeted with a very calm intro song with gentle trumpet and percussion. It’s got a soft jazz vibe, though that vibe doesn’t stick around for long, as ‘Lampmaster’ is where the heaviness kicks in. There’s atonal noise, which at times sounds industrial. There’s grindcore in several different time signatures and belligerent vocals that pierce through it all. Give it to your “average” music listener and they’d hate it, but it works.


From that insanity, ‘Frail Forms’ sounds oddly more structured as Orphan Donor deliver a sludge/noise-rock song that threatens to descend into sonic madness once again but stops just short. There’s me trying to make sense of it all, when I really can’t! ‘Viscera Coffin’ is a fine case in point as it’s a sub one-minute barrage of everything and all sorts. I have my window open to let in some cool air. I’m smiling manically because it’s also letting out this glorious racket.


Ailments isn’t a long record and in what seems like the blink of an eye, it’s already half-way through and ‘The Same Emptiness’ is coming at you like a black-jazz odyssey (except it’s only a little over thirty seconds). Familiar territory is sort of back on the horizon thanks to ‘Show Me the Way’, in that it’s one that opens with an instrumental noise-rock feel. The latter half is a twisting, gurning mass of grindcore and sludgy interludes. 


Penultimate song ‘Void Eyes’ is unlike anything else here. Yes, it’s grinding but the trumpet sounds like a malfunctioning air raid siren (which fits perfectly) and there’s a sense that Orphan Donor just threw caution to the wind, not that the rest of the album is an easy listen or anything! Closing it all out with ‘Acidic Prism’, there’s no time for pleasantries. Blasting noise punctuated by brief moments of off-kilter guitar, as screams fade in and out, and where the trumpet looms ominously in the final bars.


Some might say that I’m poking fun at Orphan Donor with this review,  but I’m not. Honestly, I don’t waste time writing about music I don’t like. I do like this. Ailments rules and Orphan Donor create noise that’s so infectious. Go and spin it all the time! 


You can stream Ailments below, where it's available to buy digitally or on CD directly from Orphan Donor:-



If you want a CD copy and live in Canada or Internationally, you can grab one from Zegema Beach Records here - http://www.zegemabeachrecords.com/zegema-beach-releases/ailments.


Orphan Donor Instagram - @orphan_donor

Zegema Beach Records Instagram - @zegema_beach

Tuesday, 23 June 2026

Fingerswoventogether - As The Lie Became Truth


Labels: Blackheaven Records/Larry Records/Native Estate/Severed Records/Zegema Beach Records

Formats: Vinyl/CD/Tape/Digital

Release Date: 01 May 2026


Tracklist:


1. ...And Now We're Nothing

2. Patience Through Penitence

3. Holding Onto Something Out Of Arms Reach

4. This Was Never Yours To Take

5. One Glass Eyes And Knives For Hands


How are you all coping with World Cup fever? Do you care? The UK media would have you believe that footy is taking over the US. I hope this is the first and last time we ever see "hydration breaks"!. Anyway, that tenuous opening bit only exists because the band I'm reviewing this evening come from Florida. 


Fingerswoventogether released their first music in 2024 in the form a 3 song demo that received a cdr pressing from Home To Heart and a tape pressing from ZBR sister label Tomb Tree. 2025 saw two lathe-cut releases; a 3-way split that included agile and Opposition Dolls from Blackheaven Records and Severed Records, followed by Severed again with a special Fall 2025 tour promo. Their newest EP came out in May.


I’m anxiously awaiting news on a record trade. I had a duplicate, agreed a trade with someone (from the US), packaged up and sent my half out last week,  now I’m just waiting to hear if the other half of the trade has been sent to me. Will I get it? Am I being stitched up? Should I have accepted the first offer I received? The answer will be shared in a future post. For now though, I’m distracting myself with Fingerswoventogether. This EP immediately sounds so retro as ’…And Now We’re Nothing’ begins. Guitar riffs that bring to mind System of a Down soon get swallowed up by intense and noisy screamo. Cymbal-led percussion crashes, guitars rumble and offer heaps of dissonance, while multiple voices deliver tortured screams, and heartfelt emotion.


‘Patience Through Penitence’ goes in different directions. At times it seems more restrained than the opener but more chaotic at others, while Fingerswoventogether enjoy a moment of slight reflection mid-way through.  They like introspective passages, which break up the heaviness and to be honest, they are very good at them. The flow of the song isn’t spoilt and the anxious riffage actually gains more impact because of them.


There’s a gentle beauty nestling within ‘Holding Onto Something Out of Arms Reach’ that continues after the initial build-up has finished. Even if the emoviolence is the main character here, the melody of the gentler instrumentation acts as an earthing, if that makes sense? It’s a somewhat brief song overall but is big enough to hold considerable weight.


I think back to metalcore when it was more about hardcore when listening to ‘This Was Never Yours to Take’. It just has such an energy and some loverly, intricate musicianship too. I’ve said this before recently but the level of talent that these newer screamo bands have is unbelievable. Pushing the standard up without damaging artistic integrity is what it’s all about.


Closing this EP with ‘One Glass Eye and Knives for Hands’, Fingerswoventogether provide one last epic song. Pulsing with sinister melodies, stark cries and honest musicianship, it brings a real sense of joy. From a noisy beginning to an ending filled with clarity, this EP is excellent. As ever, my write-up doesn’t do it justice. Spin it and try to grab a physical copy before they sell out.


The EP doesn't seem to be available digitally from Fingerswoventogether but you can stream it, and purchase it as a name-your-price download below:-



It's also available digitally from Larry Records - https://larry187.bandcamp.com.


Fingerswoventogether Instagram - @fingerswoventogether


Physical copies are available from the labels below:-


Blackheaven Records (Tape) - https://blackheavenrecords.bigcartel.com/product/fingerswoventogether-as-the-lie-became-truth-tape

Native Estate (CD) - https://native-estate.com/shop/p/fingerswoventogether-as-the-lie-became-truth-cd

Zegema Beach Records (Vinyl) - http://www.zegemabeachrecords.com/zegema-beach-releases/fwt-atlbt 


Blackheaven Records Instagram - @blackheavenworld

Larry Records Instagram - @larryrecords187 

Native Estate Instagram - @native.estates

Severed Records Instagram - @severedrecords_ 

Zegema Beach Records Instagram - @zegema_beach

Tuesday, 9 June 2026

Drive Your Plow Over The Bones Of The Dead - Collected


Labels: Zegema Beach Records

Formats: CD/Digital

Release Date: 24 Apr 2026


Tracklist:


1. Spirit Incantation

2. Glimmer Fate

3. Etchings

4. Perish Song

5. A Deeper Shade Of Night

6. Spiteful Enemy

7. Suzerain

8. Malediction

9. Ritual Symmetry

10. Blood Astronomy

11. Arrangement

12. Meadow Rue

13. Baleful Solitude

14. Arguments In Iron

15. Everdark Conifers

16. Marionette

17. Propitiation

18. When What Once Works Suddenly Breaks

19. Aspected Of Dust


It's insane how many new-ish screamo bands already have such a pedigree. The community of bands from across the world is continually exploding and it's especially the case in North America. Canada's Drive Your Plow Over The Bones Of The Dead are most certainly one of those bands and they've also been given the discography treatment by Zegema Beach Records recently. In fact, the CDs were made in time for their recent appearance at ZBR Fest in early May.


Drive Your Plow... released their demo back in 2023, before their debut album Tragedy In Catharsis merely a years later in 2024. In 2025, they featured on a six-way split LP and also a bizarre 6-way Christmas 7" single. This CD gathers together every recorded song to date.


This is the second discography I’ve featured in as many weeks and I knew it was gonna be a biggie! It’s a collection of all nineteen songs Drive Your Plow… have released so far. Starting with ‘Spirit Incantation’, which was the lead single and opener on their album Tragedy As Catharsis, you’re greeted with noisy and emotive post-hardcore. The blasting drums are right up in the mix, while the guitars sit deeper when everything’s in full flow. The vocals are mainly raspy screams but there are some low growls hidden in there too. 


It’s probably not going to be the case for many songs here but there’s an instrumental mid-section during ‘Spirit Incantation’, which is measured and excellently delivered. Things get a lot weirder from here, as ‘Glimmer Fate’ demonstrates, when it goes from intense grind to danceable screamo and back. They certainly fit a lot into their music. ’Etchings’ lasts thirty-seconds and after the feedback has settled, you’re left with some mental, grinding mathcore-like noise. I like how this isn’t just straight-up heaviness, as Drive Your Plow… are able to craft metallic riffs and melody into even the shortest of songs. Despite the brief pause between each one, they all follow on as if the pauses weren’t there. 


The guitar tone that opens ‘Perish Song’ is so engrossing, you almost forget that things are about to explode. The way this band switches the mood from hopeful to uneasy is nothing short of jaw-dropping. ‘A Deeper Shade Of Night’ continues along the off-kilter path that’s been laid down so far, but with much more furious percussion, which at times sounds industrial. It’s over very quickly and you’re immediately thrust into ‘Spiteful Enemy’ and it’s The Body-esque emoviolence. It’s actually a lot more hardcore in places, with chunky riffs and backing vocals joining the madness. 


You’d be forgiven for thinking that ‘Suzerain’ was going to be an instrumental before Drive Your Plow… once again drive their auditory plow right into your face. There’s nowhere to hide with this one. You’re just going to have to accept your fate at this point, as ‘Malediction’ carries on the barrage. The sudden stop mid-way through catches you off guard a bit, as some (relatively) gentle guitar is joined by atmospheric screams. It builds again just before the end, before stopping dead.


‘Ritual Symmetry’ has one of the longest instrumental build-ups of any song here so far. It’s a hard one to pin down style-wise as it’s equal parts screamo, punk and even atonal in places. Again, it shows that Drive Your Plow… are able to nail the more engrossing/engaging side of their sound with ease. From one end of the spectrum to the other though as ‘Blood Astronomy’ has no such build-up nor lasts beyond twenty seconds. That being said, there’s still room for tempo changes and dramatic melodies.


By now, the final few songs that made up Tragedy As Catharsis are coming into view. ‘Arrangement’ goes for the panic-inducing grindcore/emoviolence vibe. Wrapping itself around you with everything from fast tempos to driving vocals, before slowing to a sludge-like crawl with meaty stomps. ‘Meadow Rue’ strides along with purposeful abandon, as Drive Your Plow… inject it with an energy that’s much darker than it first seems.


‘Baleful Solitude’ finishes the Tragedy As Catharsis section of this discography in such an iconic way, as it did the album itself. A lengthier piece filled with catchy elements, at least until half-way through when it collapses into a swirl of chaotic noise once again. So utterly intense, it’s hard to put into words.


The rest of this collection is made up of non-album songs, including those that appeared on splits. ‘Arguments In Iron’ was the band’s contribution to the 2025 split that also included Piot., Plein De Vie, TNG, Eris I Disnomia and Jornada del Muerto. It was actually recorded as part of the session for their album, so it carries on the momentum nicely. A clever placing I think.


‘Everdark Conifers’ appeared on another split, which was actually a Christmas 7” single. It’s hard to imagine but Drive Your Plow… joined groups from all genres, including folk, country and electronic. It was recorded in their practice space on a mobile phone. It sounds raw but thanks to some mastering wizardry from Will Killingsworth, it’s also really listenable and nods to their live sound.


Ending with their earliest demo songs is the perfect way. ‘Marionette’ is unflinchingly heavy from beginning to end, even compared to the album’s songs. The guitar work is much more prominent here, especially in the higher ranges. ‘Propitiation’ is equally unabashed, but also more involved emotionally. That maybe has something to do with its song length.


Penultimate song ‘When What Once Worked Suddenly Breaks’ is like the great crescendo. Mixing their violent screamo with spoken-word samples and building instrumentals, there’s a cinematic approach that’s not been heard thus far. ‘Aspected Of Dust’ brings this release to a close with a literal collage of sound, coming from all directions and all adjacent genres. At times depressive but also euphoric.


Discographies like this are a great place to start if you’re new to a band. What could be more convenient than having all their songs in one place. ZBR have done a great job with this one and it leaves you wondering what’s next for Drive Your Plow…, hopefully we won’t have long to wait.


You can stream and purchase Collected digitally from ZBR on bandcamp below:-



Drive Your Plow Over The Bones Of The Dead Instagram - @driveyourplow

Zegema Beach Records Instagram - @zegema_beach


If it's CD copies you're after, head to ZBR's webstore (thus avoiding bandcamp's fees):-


ZBR Canada/International - http://www.zegemabeachrecords.com/zegema-beach-releases/collected

ZBR North America - https://zbrusa.com/collections/zbr-releases/products/collected

Wednesday, 27 May 2026

NSIXHUNDRED - Discography '24-'25


Labels: Zegema Beach Records

Formats: Tape/Digital

Release Date: 17 Apr 2026


Tracklist:


1. and longing for the truth i say...

2. yogurt

3. immediate sword master

4. as fast as a snail

5. well guess what?!

6. Mr. Noob

7. The Duel

8. Return of the Shirt

9. let's have a ball!!!

10. Santiago's big day

11. blue dream (live)


We're having a small heatwave and everybody's melting! Personally, I love it but I do feel quite lethargic at the same time. Hopefully, I'll be productive with what's left of this month. Tonight it's the turn of another new release from Zegema Beach Records and while there's been a hint at some changes coming for the label, what isn't changing is their ability to put out stellar music!


US emoviolence/mathcore sextet NSIXHUNDRED are the latest band to get the ZBR discography treatment. It gathers together all of the songs they recorded in 2024 and 2025, including their debut EP and longing for truth i say..., the songs from their split with Dance of the Seventh Crow and two songs from their two song tour demo 2025 (as there are three on bandcamp), with a live track thrown in as well.


Discography releases aren’t just reserved for when bands break up. NSIXHUNDRED are very much still a band, so this may be at lot people’s first introduction to them (it is mine!). ‘and longing for the truth i say…’ kicks things off with vicious emoviolence, a multi-vocal approach that could strip paint, chugging low-end passages and nice mathcore rhythms for good measure. You don’t get much change out of two minutes, but that’s the whole point.


‘yogurt’ has some of the best bass-swagger I’ve heard from a skramz band. It’s really cool how they’re able to go from peppy verses to chaotic noise in what seems like seconds. The ending has a live feel to it with cheering and clapping, as it closes with a solid panic-laden riff. That same riff lead you into sixty-second rager ‘immediate sword master’, which is the heaviest, spinkicking-est show of aggression yet!


I’ve just noticed that the cover art for this release comprises elements from the art on their discography to date, which is a really nice touch! ‘as fast as a snail’ is thankfully faster than a snail, though the addition of some sludge-like tempos do the trick! What is noticeable too is that there hasn’t been any re-mastering done to these songs (and to be honest why would there?), though please correct me if I’m wrong. To me, they sound just as they were intended.


The deafening feedback that starts ‘well guess what?!’ soon gives way to a song that’s equal parts noise-rock and chaotic screamo. It has a kind of atonal sound to it till about halfway through, where NSIXHUNDRED go off on a tangent with stop/start instrumentation, mathiness and what could be a belching noise? Maybe I’m hearing things. ‘Mr Noob’ definitely sits more at the mathcore end of the spectrum and it shows where they were at when they released their split with Dance of the Seventh Crow.


There’s actually a lot more melody in it (well, perhaps just a little more), as there’s also a lot of grind as well. ‘The Duel’ is beyond description. Just when you think it’s settling into one sub-genre, it pivots into another and even when NSIXHUNDRED play the introspective card, it’s still not restful, with the exception of some lovely piano towards the end.


The rawness is back on ‘Return of the Shirt’ and with the belligerent heaviness that makes this band so unforgettable. Not sure if I’m repeating myself here but this has to be the heaviest thing ZBR have released (but feel free to challenge me on that). ‘let’s have a ball!!!’ was recorded as part of the band’s 2025 tour demo and it belongs on such a release. Witnessing it live must be something else as well!


‘santiago’s big day’ follow’s suit in the same way, with a cacophony of noise filling the speakers. Anybody that owns a copy of that demo must surely just be playing it on repeat. I would be! Closing the discography with ‘blue dream (live)’, NSIXHUNDRED show that they can play live just as well as they can on record. There’s sometimes a question mark over whether more technical bands can do that out in the wild. There are no worries here.


NSIXHUNDRED are another band I wouldn’t have known about were it not for ZBR. I can’t get over how heavy they sound or how enthusiastic they are. The latter definitely comes across in their music. If you’ve read the news on ZBR’s socials over the last 24 hours, you’ll know that USADave is departing the label, which is sad. Thankfully, CanaDave is carrying on, which is good. More quality screamo to come. 


It didn't take very long at all for the tape copies of this release to sell out, but you can still grab it digitally from ZBR below:-


NSIXHUNDRED Instagram - @nsixhundred1

Zegema Beach Records Instagram - @zegema_beach