Showing posts with label Utarid Tapes. Show all posts
Showing posts with label Utarid Tapes. Show all posts

Tuesday, 11 July 2023

Sans Visage - Moments


Labels: Asian Gothic/Dog Knights Productions/Utarid Tapes/Zegema Beach Records

Formats: Vinyl/Tape/Digital

Release Date: 20 Dec 2017


Tracklist:


1. 22

2. Song 1

3. Song 2

4. Worthless

5. Denial

6. Alt

7. Barricade

8. Distance

9. Life

10. Sway

11. Past


Time's moving too quickly again, which in turn means I've been slowing down on the writing front (not through choice but because of tiredness). With that being said, slow progress is still progress and so I'm back with another ZBR roster review. It's another rare one this because it's about an album that I own on a physical format (I'm trying but I'm nowhere near owning everything). 


Japan's Sans Visage released their first demo in 2014, while their latest release to date is the 2020 split 7" with Look At Moment. Moments remains their only full-length so far, having been released on vinyl by Asian Gothic and Dog Knights Productions in 2018 following it's initial digital release in late 2017. Tape runs from both Zegema Beach Records in 2018 and Utarid Tapes in 2019 helped to spread their sound further.


Honestly, this week’s been a breath of fresh air so far. I’ve felt way more focused in my work life, though it hasn’t translated to the blog just yet. I still need to book some time off to truly get back on track with everything. The evening sun has caught me at the right time and so has this latest instalment of my ZBR roster review series, especially as I hold a lovely maroon vinyl copy of Moments in my personal collection. I’ve been listening to mathcore on my way to and from work today too, so the slower tempo of opener ’22’ is a welcome change of pace. A fantastic piece of Japanese screamo that typifies just how good the island nation is when it comes to heavy music where melody is king.


‘Song 1’ is misleading (and you don’t need me to tell you why) but it still feels like it has a completely fresh sound, such is it’s higher tempo and immediacy. ‘Song 2’ follows on, much more in the vein of Sans Visage’s countrymen Envy, subtly. Spacey, earthy post-hardcore with quieter passages interspersed between more fractious ones. Brilliant! The song ‘Worthless’ is anything but. It’s filled with genuine and heartfelt emotion that only comes from music, and musicians that you have an affinity with. You’ll know what I mean when you listen to that song or artist that you hold in such high regard. That one that reminds you that things are good. There’s even some loverly math-like riffs gong on to.  


‘Denial’ goes in a more angsty direction, though it’s also amongst the album’s most melodic songs (instrumentally). Again it’s not a long-player by any means but it doesn’t need to be. Sans Visage hit the nail on the head perfectly. The sub one-minute ‘Alt’ is an example of controlled chaos. It’s fraught but not frenetic if you get my drift. I’ve always admired Japanese bands for their ability to be sensitive even at their most intense. I think it has a great deal to with their character as individuals. Sans Visage bring about a shift during the second half of Moments with lengthier songs, starting with ‘Barricade’. It’s a shift that creeps up on you somewhat, especially when there’s an injection of euphoria during ‘Distance’.


Progressive/slightly bluesy tones greet you on ‘Life’. For the ninety seconds that make up the song’s intro, you’re whisked off to a place of instrumental freedom before the layers build and crescendo in typical post-hardcore fashion. What comes later on mixes harsh vocals with cleans that sit on top of the recording beautifully but also somewhat desolately too. Penultimate number ‘Sway’ brings the band’s instrumental prowess to the fore once again in a very understated way. You’re forever waiting for an explosion of dissonance and energy, but that wait only conspires to frustrate as Sans Visage remain measured to the last.


Album closer ‘Past’ stands with abundant grandeur, such that no additional words can describe what this music feels and sounds like. It’s incredibly hard to believe that Moments was/is still the first full-length album from Sans Visage. Their maturity and sensitivity flows through the music. They deliver it all in such a neatly packaged way too. If ever there was a reason for abandoning mainstream music (that’s almost always dumbed down), this is it.


You can stream and purchase Moments as a name-your-price download from Sans Visage below:-



Sans Visage - https://www.facebook.com/sansvisagetokyo


Physical copies can still be purchased from the labels below (apologies if I've missed anyone):-


Dog Knights Productions - https://dogknightsproductions.com/collections/12-dk/products/dk119-sans-visage-moments-12-lp


Dog Knights Productions - https://www.facebook.com/dogknights

Utarid Tapes - https://www.facebook.com/utaridtapes

Zegema Beach Records - https://www.facebook.com/zegemabeachrecords

Monday, 4 June 2018

Locktender - Friedrich


Labels: I.Corrupt.Records/Middle-Man Records/Zegema Beach Records/Deadwood Records/Utarid Tapes
Formats: Vinyl/Tape/Digital
Release Date: 15 Jan 2018

Tracklist:

1. The Monk By The Sea
2. View Of A Harbour
3. Wreck In The Sea Of Ice
4. Seashore With Shipwreck By Midnight
5. The Chasseur In The Forest
6. Morning Fog In The Mountains
7. Winter Landscape
8. The Abbey In The Oakwood

Ohio's Locktender ended their four years of silence earlier this year, with the release of "Friedrich". It tells the story of a Monk who eventually killed himself through loss of faith, while drawing inspiration from the artwork of 19th-century German landscape artist Casper David Friedrich. Having been released on vinyl initially, it was released on tape in May. I've already been jamming the album prior to writing this review, which isn't something I usually do but I was sucked in.

This feels good. The escape from reality that’s provided by music is unparallelled and Locktender goes the extra mile to make their’s that bit more special. The Monk By The Sea is the melodic opener you want and while the crunching riffs/percussion/vocals remind you of the band’s hardcore leanings, there’s way more to it all. The introspective passages filled with guitar melodies and the clean singing that towers over the recording at times, are layers that just belong. View Of A Harbour is a short piece that definitely conjures up images of sitting staring out over a coastal vista, with no cluttered thoughts to worry about. It flows into Wreck In The Sea Of Ice, which is filled with palpable emotion and anger from the vocals, while once again the melodies play out over minimalist drumming, There’s still loud dissonant screamo present but it’s very cohesive as opposed to being stop/start. Locktender’s lengthy instrumental passages are a pleasure to behold, like the one that forms the first sections of Seashore With Shipwreck By Moonlight. It’s spacey, calming and reminds me a lot of the music contained on “Feathers” by Duct Hearts at one point and then early-00’s post-hardcore the next. It builds up throughout and eventually explodes into something akin to emo-violence/hardcore towards the end. it’s wonderful. 

The second half of “Friedrich” is a post-hardcore/metal feast thanks to The Chasseur In The Forest. The vocals definitely hit you from a more extreme place, while the shorter running time and layers of sound offer a lot of impact, which other albums miss within their mid-sections. They’re back to their cinematic best on Morning Fog In The Mountains, with the calm/chaotic dynamic working so well. “Friedrich” is an album best enjoyed in a full sitting and not in fits and starts. Even though the song-titles seems as though they were chosen at random, the songs themselves follow on with ease. Penultimate song Winter Landscape is the album’s longest and one of it’s most thought-provoking as well. The beautiful isolation that you feel during it’s mid-section is hard to ignore. It’s like staring up at the night sky, inspired by just how huge the universe is other than just focusing on your small part of it. It’s taking that step back that makes the difference. Following that was always gonna be difficult so Locktender goes in a completely different direction and fills The Abbey In The Oakwood with off-kilter hardcore and screamo that smashes the wonderment into smithereens and replaces it with distant anguish and subtle black metal-style morbidity. 

I’m annoyed that I didn’t give this more attention earlier on in the year. It’s utterly glorious and shows that the time Locktender spent silent hasn’t affected them musically. in fact, it’s probably allowed them to open up and explore further, which has made for an outstanding album. Nothing more need be said. 

You can stream "Friedrich" and get it as a name-your-price download below:-




Physical LP and tape copies can be purchased from the links below:-

Zegema Beach Records - http://www.zegemabeachrecords.com
Deadwood Records - https://www.deadwoodrecords.de