Showing posts with label Hard Rock. Show all posts
Showing posts with label Hard Rock. Show all posts

Sunday, 29 August 2021

All I Live For - We Are The Angels


Labels: Self-Released

Formats: Digital

Release Date: 27 Aug 2021


Tracklist:


1. Intro

2. See My Soul

3. Godspeed

4. We Are The Angels

5. Set Me Free

6. Awaken

7. Breathe Me In

8. Rise Again

9. Brand New Day

10. Here We Belong

11. Spirit

12. Save Our Hearts


I read a mind-blowing statistic the other day that said there are 62,000 new songs uploaded to Spotify every day! That means there are 62,000 songs and countless bands competing for listeners each day. It's tough out there in the age where anyone can upload their music to the Internet and be heard instantly. The same can be said for online music sites/blogs (ironically, like this one!), where people can publish their opinions on music at the push of a button. Some are good and some are bad, but for bands any publicity can turn out to be good publicity. That's just my very general assessment of the state of things currently.


Moving on from that thought to a band that I recently featured in an introductory piece last weekend. Leeds-based alternative rock/metal band All I Live For released their debut album We Are The Angels yesterday on all digital platforms. They've been quite brave in releasing a full-length as their debut recording, as the majority of new bands tend to test the waters with shorter EPs in my experience. That's just an observation though. Another one is the fact that Bandcamp recommends that you listen to the likes of Baroness, Boris, Torche and Red Fang if you enjoy All I Live For, which is pretty encouraging in comparison terms this early on. Let's see if the album backs that up...


Beginning with a clear and melodic Intro, We Are The Angels kicks off properly with 'See My Soul', which is the album’s lead single. It features a mix of harsh vocals and clean singing, as well as similarly heavy guitar and percussion. There’s something quite progressive about it, which helps it to escape the trap of just being another modern-day rock album. All I Live For have their own influences, which are spread throughout their sound. On ‘Godspeed’ there are glimpses of those influences including well-trodden approaches borrowed from the likes of Metallica, Trivium and Alter Bridge. That’s a guide for new listeners and not hyperbole. There’s a lot more going on here and instrumentally the band are a lot stronger than I was expecting initially. 


They also achieved a major coup prior to the album’s release by working with Grammy award winning mastering engineer Gavin Lurssen. That experience shows through here and helps give the record an edge in terms of final delivery. The title track ‘We Are The Angels’ takes on the hard rock genre without sounding generic. It’s soaring chorus standing out in a really well-written song. More of that classic/hard rock vibe flows into ‘Set Me Free’, which is slightly minimalistic compared to the songs it follows, but there’s nothing wrong with keeping it simple. All I Live For maintain a chuggy metal sound too that serves them well, while not being too aggressive, meaning that they remain approachable to new listeners who might not have ventured to the heavier side of the genre just yet.


They’re never too far away from a proper rock ballad and it comes at the album’s mid point, in the form of ‘Awaken’. It sounds like All I Live For are playing it somewhat safe here musically, but then again they’re not trying to sound showy either. The addition of choir/group vocals towards the song’s conclusion, joining a more than solid guitar solo show good awareness of variation. As you reach the second half of the album, there’s much more assurance about the band’s sound. ‘Breathe Me In’ is mature and again not over-complicated. Some people would call it inoffensive and they’re right, but that doesn’t have to be a criticism. It’s certainly radio-friendly and that could prove to be important for such a new band.


One thing that I have noticed about the album’s latter half is that the songs become shorter and punchier as a result. ‘Rise Again’ is a case in point, with a more urgent tempo from the drums, more excellent guitar/bass work and vocals to match. The upbeat tempos also match the positive lyrics. ‘Brand New Day’ is a song that twists and turns it’s way through four minutes of melodic metal and even some punk-like guitars too. It’s actually really well put together. ‘Here We Belong’ is one of the more off-kilter songs on We Are The Angels, mixing time-signatures with a dramatic vocal presence. At first I was a little bit unsure about the guitars being so far back in the mix, but it adds a layer of subtlety that’s quite pleasing. They’re loud and up front when they need to be but don’t overpower the recording. 


By the time penultimate song ‘Spirit’ begins, you’ll know what to expect from All I Live For. I know the album’s not over yet but the musical familiarity that builds throughout it is very consistent. To complete the record, final song ‘Save Our Hearts’ comes full circle with the chorus that was used briefly during the Intro track, leading into one final highly charged yet controlled rock song. Mike Pearson, Anthony Frith and Dave Williams have pulled off a really strong debut album. Stronger than I was expecting given it’s twelve songs. So the Bandcamp recommendation algorithm was a little out, but don’t let that put you off. All I Live For are only beginning their musical journey but they deserve their chance. I’ll be watching their progression with real interest.


You can stream and purchase We Are The Angels digitally via Bandcamp below, as well as on all other major digital platforms:-



Visit their website and social media profiles below:-


Website - https://allilivefor.com

Facebook - https://www.facebook.com/AllILiveFor

Twitter - https://twitter.com/AllILiveFor / @ALLILIVEFOR

Youtube - https://www.youtube.com/user/ALLILIVEFORBAND

Instagram - https://www.instagram.com/allilivefor / @allilivefor

Saturday, 21 August 2021

Introducing: All I Live For (hard rock/alternative metal from Leeds)


Back when I started this blog, I focused heavily on bands from around Yorkshire. I started with local bands that existed in Harrogate and then moved further afield. As the blog has grown it's reach over the years, I've neglected this side of it so I thought I'd re-start it by talking about a brand new band, who're only six days away from releasing their debut album We Are The Angels.


All I Live For are a quartet from Leeds and to date they have released three singles that will appear on their forthcoming album. They have plenty of common influences, including the likes of Alter Bridge, Killswitch Engage and Muse. They've channelled those influences into music that's both heavy yet accessible, with very positive and thought provoking lyrics. They have also been lucky enough to enlist multi-grammy award winning mastering engineer Gavin Lurssen (who has mastered albums for some of rock/pop music's biggest names, including Metallica, Foo Fighters and DMX to name a few).


You can stream and purchase all three singles via Bandcamp below:-





Their music is also available on all major streaming site, with links available via their website here:-

https://allilivefor.com/.


Please spare a moment to check out All I Live For and help spread their music in preparation for the album release - https://www.facebook.com/AllILiveFor.

Tuesday, 6 April 2021

All Aboard To The Hellbound Whiskey Train: An Interview with Richard Schierer of SCHIERER (by Mikey Ortega)


Back in 2015, my one-man band, Diclonius, played a show in Anaheim, called “One Man Metal Fest”. At this show, I met some fellow one-man bands in Swartwound, xDEAD-HABIBx, Through These Gates and Dying Messiah. It was through this show that I became good friends with Richard Schierer, who at the time, performed under Dying Messiah. I’ve always admired Richard’s musicianship. The dude can shred and can make some sick death metal. Every time I catch him playing at The Doll Hut, dude puts on a better show than the last. Years later, Richard would put Dying Messiah to rest and formed a new project called SCHIERER. Unlike Dying Messiah, SCHIERER is a throwback to 80’s hard rock. It’s music that you can enjoy and party on. Great hooks, killer solos and cheesy song titles, that will give you a good nostalgia kick. I had the pleasure of chatting with Richard Schierer, where we talked about forming SCHIERER, the recording process and what 2021 holds for SCHIERER

 

Mikey: So, the transition from doing Dying Messiah to Schierer - how has that been? Was doing 80's hard rock something you've been brewing for a while?

 

Richard Schierer: It's been a natural transition. Dying Messiah ran its course and ended on a high note. Schierer became the main focus after a year of developing the project so I had a good idea of what direction musically I wanted this to be. The songs that I write are heavily influenced by music of the 70's & 80's, hard rock and pop metal – in particular. I think it's something that just happened before I could even really articulate any real objective other than seeing if I could write music in that style, but, once I got started it became too much fun, it would be a shame not to pursue it further.

 

Mikey: Is there a part of you that’s glad that metalheads these days are more open to other music, where back in the days, you would’ve gotten shit for “mellowing out”?

 

Schierer: Of course, I am glad and I'm thankful to have gotten great support from people in the more extreme music genres. The metal community has always had opened minds as well as elitism and I'm aware that not everyone that supports Dying Messiah are into the music I'm making now but it doesn't bother me. It wouldn't make any sense to me to try to do something heavier than my previous bands.

 

Mikey: You had a punk cover band called Dying Spasm - by any chance, did that had an influence in wanting to do Schierer next?

 

Schierer: Absolutely it was a big part of it and I had played various Schierer ideas with both members at different times. I started that band with Russell Watts, drummer of Cerebral Spasm and later Dominic Piper joined on bass. My 1st band was a punk cover band in 1996 so this was kinda coming full circle. After playing our last show in April 2019 Schierer became my main focus and while putting a band together Dominic sat in on bass before relocating to Japan. Russell passed away 6 months later on Halloween due to cancer. I miss him dearly he was a huge inspiration and one of my biggest supporters and an awesome friend. I think I would not have even had the courage to sing have I not had gotten experience from singing those punk rock classic songs and playing music with them definitely opened the door to do what I'm doing now.

 

Mikey: For someone like me, who was involved in the local music scene and attended Metal Mondays at The Doll Hut, what kind of impact did Russ have - especially for musicians like us?

 

Schierer: He gave an opportunity for a lot of us to play shows and meet people on a regular basis and was opened to booking bands from a lot of different sub genres. His work ethic and commitment was impressive and inspiring, seeing him do all this while still playing drums in 3 different bands. Metal MondayS were usually small intimate shows and I played many of them last minute when bands would drop, I was always glad to help when he asked.

 

Mikey: When it came to recording the first Schierer album, did you already have the music and lyrics down or were there some that needed some work?

 

Schierer: I spent a few months in the fall of 2018 just coming up with all the musical arrangements before tracking everything, I started the recording process in January 2019 and this took a couple months. Then I started writing lyrics and figuring out the vocal phrasing. I had to rerecord a few songs along the way and rewrite some lyrics. There were some songs that did need a lot of work. Because I was still learning how to do all this, I made many mistakes early on, some were hard to fix without recording the entire song over so some of that was left in. I also rerecorded one song from the 10 song demo that I recorded in the summer of 2018. It was mixed and mastered in December 2019 & It was officially released on bandcamp.com in February 2020.

 

Mikey: I do have to say your vocals aren't that bad. There's definitely a lot of heart when I hear it.  Any singer that you tried to channel?

 

Schierer: Thanks man, I appreciate that. I put a lot of myself into it more than trying to sound like anyone, but there are a lot of singers I take what I can from and there's too many to name but some that come to mind are Steve Marriott, Noddy Holder, David Coverdale, Phil Mogg, Joe Lynn Turner, Don Dokken, Jack Blades, Joe Elliott, Michael Jackson, Chris Cornell, there's some tiny elements of all these and probably more than I can think of at the moment. I worked hard to get the best performances I can get out of me for the albums.

 

Mikey: I also wanted to point out - as much as I love the 70's/80's throwback sound, I also dig the song titles and lyrics. When reading them, I would think they came from the 80's. Are some of these songs come from personal experience or stories - maybe both?

 

Schierer: I usually start writing lyrics with a song title in mind. This lends itself really well to having hooks and choruses thought out before the verses, but I almost always write around the title. Subject matter is mostly cheesy love songs and many are written about someone in particular while others are stories about real life and fictional scenarios or a combination of both. There's nothing deep and thought provoking going on in my lyrics its very tongue and cheek and even emo at times. I put a lot of thought into the lyrics and how they sing over the music phrasing wise. Some lyrics come quicker than others, but I must say vocals and lyrics are equally as much work as tracking all the instruments if not harder work.

 

Mikey: Yeah, those lyrics do capture that 80's cheese. I remember in high school; my friends and I wrote songs like that - hoping we would get chicks.  Haha.

 

So, moving on to Schierer II - now did you had any songs left over that didn't make the first album or was the 2nd album done from scratch?

 

Schierer: I wrote all the newer song ideas for the 2nd album while finishing the 1st album. I had one song that was left over from the 1st album that got rewritten as Isabella Jezebel as well as Drink Away My Blues that was taken from the demo. Hellbound Whiskey Train was written around a bass riff that I came up with 20 years ago. Everything else was written specifically to be on the follow up album. I usually would record a couple handfuls of songs ideas as instrumental demos and use the best ones to write songs for the album cuts. There's also a bunch of leftovers that will never become a complete song.

 

Mikey: To finally play some of these songs live must have been something. How much does it mean to you to do Schierer live?

 

Schierer: It was awesome getting to play a few shows before everything shut down. I really appreciate the footage you were able to capture at the Dead Habib CD Release show in 2019. That was the only show that I played all original material. All the other shows I played some cover songs because I wasn't confident with a full original set. Those were solo performances but now Schierer is a duo with John Michael Garrison now on bass guitar and lead and backing vocals so now we got the big choruses going on which gives that Bombastic sound that I have been chasing all along. It would be great to get back out there performing again we are ready to rock.

 

Mikey: One of my next question was you adding a member to Schierer. When you were uploading videos online, I noticed you got yourself a bass player. What’s your history with John and when did you know he was a good fit?

 

Schierer: I met John at my job and we bonded over music and traded cd's of our bands. Then we jammed out on guitars at work, shortly after that I invited him to try out and thought he could learn some of my songs and he offered to play bass. It just worked out and now we have 13 songs down. John was originally a singer and had a band with his brother called Steady Onward Band (SOB) and was the frontman for another Reggae band from the So Cal area and has a great deal of experience as a performer opening for larger acts like Kid Rock and LA Guns. It’s awesome to not only have a solid bass player but he is a hell of a singer/songwriter and we write well together. We just finished collaborating on an epic power metal song where he sings lead and wrote the lyrics, and it came out amazing. We are currently seeking out a drummer and possibly a keyboard player that would be interested in sitting in on some jam sessions to find like-minded musicians to expand the band.

 

Mikey: Oh, shit! Is the Power Metal track gonna be in the next album or is it gonna be a stand-alone? And those 13 songs you guys have written, have you begun recording anything?

 

Schierer: At the moment- a 3rd album is not fully realized yet, but it has album material potential. We have recorded one song that John wrote as a tribute to his brother and bandmate Chris Garrison who passed away, its called For What It's Worth and its on YouTube. We have put a lot of focus in just playing together and getting the songs tightened up. We have plans to get more into producing recordings its been 4 months of becoming a solid unit and being stage ready if necessary which was my main goal unfortunately live music is at a standstill but at the same time we have been enjoying the process of playing and singing in the moment.

 

Mikey: Since things may seem to get back to normal by the fall, are you hoping to have a full line-up by then? And if it's just you and John, would you two be performing with a backing track?

 

Schierer: We are getting heavily prepared to play shows, constantly expanding our setlist and are more than ready to perform as is, which at the moment is a duo 2 voices, a guitar and bass but have been wanting to expand the band and start working with other musicians first and foremost we would really like to find a suitable drummer. We are more than willing to work with backing tracks until then which at the moment is a drum program arrangement mixed together with some keyboard parts. I know we can also sound really full and fat as a power trio with the right drummer without relying on any background accompaniment.

 

Mikey: And lastly - looking back at your musical journey, how do you feel and is there anything you like to say about it?

 

Schierer: As far as musical journeys go its been a fun learning experience for me. I have played many styles and genres of music over the years and have been fortunate enough to find an outlet for all my creative ideas whether it be in collaboration or on my own. Getting to meet all sorts of interesting and talented people along the way has been great too. I really appreciate you giving me this opportunity to tell the world about Schierer music, and thank you for taking enough interest in my music to reach out for an interview and hopefully we can get more people listening and rocking out with us in the future.


Thank you again Mikey and everyone at This Noise Is Ours and all that take the time to read this.


SCHIERER II is available now on Bandcamp and be sure to follow SCHIERER on Facebook to keep up with music and (hopefully) shows.



Schierer Facebook - https://www.facebook.com/Schierermetalmusic

Sunday, 20 January 2019

Tytus - Rain After Drought


Labels: Fighter Records
Formats: CD/Digital
Release Date: 08 Jan 2019

Tracklist:

1. Disobey
2. The Invisible
3. The Storm That Kill Us All
4. Our Time Is Now
5. The Dark Wave
6. Death Throes
7. Rain After Drought - Pt.1
8. Rain After Drought - Pt.2
9. Move On Over
10. A Desolate Shell Of A Man


The likes of Khemmis and Haunt have been taking metal in a more traditional direction over the last twelve months; however, they're not the only ones. Europe has it's fair share of traditional heavy metal bands too and one label that's doing their bit to bring these bands to the forefront of people's attention is Spanish label Fighter Records. An imprint of Xtreme Music, Fighter has been working tirelessly since 2017 to do unearth stellar heavy metal bands from their homeland and from further afield, like Italy's Tytus. Tytus are now in their fifth year and having already released a 7" and an album (debut "Rises, released in 2016 via Sliptrick Records), they've now returned with their second album and first for their new label. The press blurb talks about the band being influenced by heavy metal greats including Iron Maiden, Metallica and early-Megadeth. Let's see...

Tytus certainly have been paying attention to their heavy metal forefathers on “Rain After Drought”. Opener Disobey is melodic, majestic and clean sounding. There’s a lot of thrash-like percussive tempos and guitar work that go alongside the twin-melodies and solos. the vocals are also clean, though not too the point of being power metal in style. At times their music brings to mind Death Angel, which is no bad thing. They continue with the up-tempo gallop of The Invisible, which is an outstanding all-round metal song. It certainly seems more focused than the album opener, but not all bands hit their stride straight away. This bodes well for the rest of the record. 

Tytus’s song-writing is more off-kilter on The Storm That Kill Us All, especially in the verses though these make the chorus sections even better. It’s classic in every direction and not too overweight in the playing-time department either, which seems to be a characteristic of their music. It’s over before you know it and is followed immediately by Our Time Is Now. The band’s full-scale attack keeps on coming and with it, more awesome solos and sing-along opportunities. The Dark Wave blurs the lines between heavy metal and punk in subtle ways. The tempos are there and so is the melody (I feel like I’ve been banging on about both of these too much already here). I guess there’s more of a hard rock slant to it. It’s still brilliant.

Old-school thrash elements are the bedrock of Death Throes, which is a meaty song filled with yet more classy riffs. I don’t really know what else to say. By the time you reach this point on the record, you’ll know exactly what you’re getting with Tytus and will no doubt be hooked. If not, you’ve got no soul. Next up is the two-parter, starting with Rain After Drought - pt.1, which is the band’s longest song here and what you get is an instrumental piece that shows a different side to Tytus. There’s an obvious not to the progressive nature of many of their countrymen and women, as Italy is known for it’s theatrical and experimental bands. This is a bit a journey but in a good way.

Rain After Drought - pt.2 is an altogether more bluesy number with superb clean singing. There’s a classic rock/ballad feel to it, which is definitely nostalgic. It’s followed immediately by the furious and urgent Move On Over, that gets the heart racing a bit more. As does album closer A Desolate Shell Of A Man. Tytus has shown that there’s still room for good old heavy metal in 2019 and the genre that was built stronger by Metallica, Megadeth and Iron Maiden is well and truly in safe hands.

You can stream and grab "Rain After Drought" for super cheap digitally below:-



Physical CD copies are available here - http://shop.xtreemmusic.com/

Monday, 14 May 2018

Blissful Stream - Dead Religious EP


Labels: Self-Released/Medusa Crush Recordings
Formats: Tape/Digital
Release Date: 03 Mar 2018

Tracklist:

1. Downfall
2. Into The Abyss
3. Dead Religious
4. Black Ships

Doom metal has always dragged itself up from the darkest of places. While it has been long considered that doom metal originated here in the UK thanks to Black Sabbath, it's DNA has been gathered up and spliced via many countries from around the world since. One-man doom band Blissful Stream is from Hägersten in Sweden and "Dead Religious" is the band's third release, following the "Ascending Demons" EP from 2016 and the split with Lightsabres that followed latest year. "Dead Religious" was originally self-released but will be getting a limited tape release via Medusa Crush Recordings.

I’ve been allowing myself a bit more social/me time of late and have been a quieter on the blog front, which is why reviews haven’t been flowing as frequently. Sometimes that little break is good though as it allows me time to refresh and for the excitement to build again. Like the excitement I feel when pressing play on “Dead Religious”. It feels very much like Blissful Stream is a doom band from the old-school end of things. No lengthy 10+ minute songs but still enough gloom and groove to remind you of the band’s persuasion. Opener Downfall is certainly a fine example of this. It’s instrumental for the most part but unlike a lot of solo recordings, it doesn’t sound like it’s lacking put it that way. Into The Abyss is an up-tempo slab of doom that features more than just a hint of traditional metal and thrash. Martin Sällström’s vocals more than match the urgency of the song, reminding me of a few of the Swedish greats along the way. 

The title-track’s opening guitar riffs remind me of classic Westerns. The song itself again is groovy and loud. The traditional metal/hard rock influence is more evident here too and it’s sounds like Martin was there at the time that the sub-genres started and isn’t just aping them to sound relevant. EP closer Black Ships is slightly more stripped back and the fact that the lyrics are audible make it all slightly more approachable for those that maybe haven’t ventured into the true underground depths yet. That’s not doing it a disservice though, as it’s a cracking song and it rounds out an EP that ticks all the boxes. There no pretence here, it’s just pure heavy metal worship and that’s fine with me. Definitely give Blissful Stream your attention.

You can stream and purchase "Dead Religious" digitally from Blissful Stream below:-




Keep an eye out on Blissful Stream's page above or Medusa Crush's page below for news on that tape release.