Showing posts with label Adorno Records. Show all posts
Showing posts with label Adorno Records. Show all posts

Tuesday, 1 August 2023

Euth - Euth


Labels: Adorno Records/Convulse Records/Middle-Man Records/React With Protest/Zegema Beach Records

Formats: Vinyl/Tape/Digital

Release Date: 29 Apr 2018


Tracklist:


1. Twin Tombs

2. Land Of The Breathing

3. San Pedro

4. Caustic Skin

5. Peace In The Narrow

6. Bleached White Hell

7. Disposed

8. Anomic Death


I'm still some way off my aim of posting here once a day but then again expectations are a pain. I'm back on the ZBR train once more, where I journey through the label's (now extensive) roster. This evening I'm talking about Wyoming, US screamo/mathcore band Euth. Euth released their first demo in 2015, before a split with Closet Witch a year later and this self-titled album in 2018. They went on an indefinite hiatus in early 2020 with no promise of a return. Their final shows were spent alongside Portrayal Of Guilt and Street Sects amongst others (not a bad way to call time on things).


I love it when an album starts with a huge chunk of feedback and Euth’s opener ‘Twin Tombs’ fills that craving perfectly. The off-kilter, dissonant hardcore mixed with screamo and grind provides a glorious hit of chaotic violence, while gathering together excellent instrumentation. ‘Land Of The Breathing’ gives off some nice metallic hardcore vibes (even though it’s heavy on the panic chords). I’ve been listening to a lot of early metallic hardcore/metalcore recently and I think Euth’s sound Isn’t too far apart from bands like Disembodied and Turmoil, at it’s slower end. 


The combination of both fast grind and sludgier/meatier riffs on ‘San Pedro’ manage to hide the fact that it doesn’t last more than two minutes. It’s good value for that playing time though, especially during it’s second half. I love the two approaches. If you’re after something less immediate then ‘Caustic Skin’ breaks things up a bit. It’s not any less immediate in approach but just longer, giving more bang for the buck.

The second half of Euth continues in the same vein with the slow and brooding ‘Peace In The Narrow’. Grind isn’t far away on this one but it’s tempered with another layer of unnerving atmosphere and tense instrumentation. It shows exactly why Euth were chosen to share the stage with Portrayal Of Guilt! From here on out, you’re left kneeling at the alter of blink-and-you’ll-miss-it grinding madness, beginning with ‘Bleached White Hell’. If ever there was an apt song-title then this would be it.


Following up instantly and cloaked in feedback, ‘Disposed’ is filled with hardcore tempos and shrieking screamo vocals that come from a place more blackened. Ending it all with ‘Anomic Death’, Euth proceed to destroy though noise with a masterclass in distress-inducing hardcore. The dissonance is what makes it what it is. Completely and utterly immersive from start to finish.


I’ve had conversations with colleagues recently about music and why I like heavy music the most. On all occasions I’ve said it’s because I like music that makes me feel something, that’s not mainstream and helps to balance out the negativity of the daily grind. Euth does all of those things and even if this is the last recoding they ever do, it will be enough. 


You can still stream and purchase Euth digitally from the band below:-



Euth - https://www.facebook.com/EUTHWY


Physical copies are still available from the labels below:-


Adorno Records - https://adornorecords.bandcamp.com/album/s-t-8

React With Protest - http://www.reactwithprotest.org/store


Convulse Records - https://www.facebook.com/convulserecords

Middle-Man Records - https://www.facebook.com/middlemanrecords

React With Protest - https://www.facebook.com/reactwithprotestdiy

Zegema Beach Records - https://www.facebook.com/zegemabeachrecords

Wednesday, 28 June 2023

Coma Regalia - The Mirror


Labels: Adorno Records/Dingleberry Records/Hardcore For The Losers/Middle-Man Records/Pundonor Records/Time As A Color/Zegema Beach Records

Formats: Vinyl/Tape/Digital

Release Date: 10 Mar 2018


Tracklist:


1. Return To The Hall Of Souls

2. Slohaugh En Sperata

3. Peel Back The Layers

4. Fragmental

5. The Face Underwater

6. Foreign Reflection

7. Shatter

8. Un Recognition

9. The Lie In The Dark

10. Horrid Reflection


I'm not sure what's been going on lately but the blog's been getting some proper love, for which I'm very grateful. It does feel like a lifetime though since I revisited the ZBR roster. As you'll know from previous posts in this little review series and from before; Coma Regalia has been a mainstay here in recent years. The Mirror was released back in early 2018 on tape and digital formats, as well as on the rarely seen 11" vinyl format (does anybody know of any other records released on 11" vinyl?). At the time of writing this intro, copies of said vinyl record still exist for sale. Will they still be on sale after this review? Who knows...


Havoc-inducing emoviolence with a sensitive side. Probably the most apt way I could describe Coma’s sound without repeating what I’ve said before. The Mirror’s opener ‘Return To The Hall Of Souls’ contains truly biting post-hardcore that lets very little light in, which is at odds with my opening sentence. It bleeds straight into ‘Slohaugh En Sperata’, which kicks off in quick-fire fashion before seemingly slowing down as if time was standing still, only to conclude with wailing feedback.


They say silence is golden but you don’t actually get very much of it here as ‘Peel Back The Layers’ takes all of Coma’s punk sensibilities and applies them to a sub one-minute blast. It’s a rager that drags you into the broodier and more uncomfortable ‘Fragmental’, where once again feedback rules over various parts of the music, except this time in greater amounts.


‘The Face Underwater’ is rhythmic and almost hypnotic initially, before that recognisably melodic guitar tone whisks you off to a better place. Talking of being whisked off to a better place, ‘Foreign Reflection’ keeps up that notion with some beautiful guitar work once again. Having watched some of the performances from this weekend’s Glastonbury Festival, I’d quite happily say that Coma Regalia would wipe the floor with them live if they ever got the chance to perform there (remember the time Napalm Death and Wormrot played inside a graffiti-laden tube train?). 


As the temperature here gets hotter and the atmosphere gets stickier, being greeted by The Mirror’s heaviest song ’Shatter’ is both unfathomable and cleansing. That same atmosphere flows into ‘Un Recognition’, which does contain more treble to brighten things up slightly. This is a body of work that genuinely represents the minds, bodies and souls of it’s creators. You can’t get more life affirming than that. 


Penultimate song ‘The Lie In The Dark’ is upbeat and really skilfully played. Artsy in places without being pretentious, it uses the collective musicianship of Coma Regalia to weave something that’s danceable and forgiving before the album’s final song ‘Horrid Reflection’ takes hold. I’ve always enjoyed releases like this where bands end on longer songs, and this is no different. It’s first half is instrumental and even when the full band kicks in, it still retains that musical heft. At times it sounds like a folk/sea shanty too.


Another tremendous release from a band filled with great souls. Society may be more polarised than ever but music like this will always bring us together.


You can stream and purchase The Mirror directly from Edie's label Middle-Man Records below, where vinyl copies are still available (including one solitary test-press!):-



Coma Regalia - https://www.facebook.com/comaregalia


You can also buy copies from the below labels:-


Adorno Records - https://adornorecords.bandcamp.com/merch

Hardcore For The Losers - https://hardcoreforthelosers.bandcamp.com/merch

Pundonor Records - https://pundonorrecords.limitedrun.com/categories/pundonor-releases

Time As A Color - https://timeasacolor.com/product-category/music/time-as-a-color-releases

Zegema Beach Records CAN/INTL - http://www.zegemabeachrecords.com/zegema-beach-releases / USA - https://zbrusa.com/collections/zbr-releases


Dingleberry Records - https://www.facebook.com/profile

Hardcore For The Losers - https://www.facebook.com/HardcoreForTheLosers

Middle-Man Records - https://www.facebook.com/middlemanrecords

Pundonor Records - https://www.facebook.com/pundonorecords

Time As A Color - https://www.facebook.com/timeasacolor

Zegema Beach Records - https://www.facebook.com/zegemabeachrecords

Wednesday, 18 January 2023

Massa Nera/Thisismenotthinkingofyou/Yo Sbraito/Ef'il - Split


Labels: Adorno Records/Blessed Hands Records/Dead Tank Records/Dingleberry Records/Pundonor Records/Zegema Beach Records

Formats: Vinyl/Digital

Release Date: 26 Jul 2018


Tracklist:


1. Massa Nera - Un Mal Cola De Hadas

2. Massa Nera - Doing Nothing For Other Is The Undoing Of Ourselves

3. Thisismenotthinkingofyou - Sonambulance I

4. Thisismenotthinkingofyou - Sonambulance II

5. Yo Sbraito - Cosa Nostra

6. Yo Sbraito - Condanna

7. Yo Sbraito - Rapina

8. Ef'il - Everyone I Know Is A Broken Heart

9. Ef'il - Stockades


Back in July/August of 2018, this 4-way split featuring Massa Nera (USA), Thisismenotthinkingofyou (UK), Yo Sbraito (Italy) and Ef'il (Malaysia) was released. I was lucky enough to be able to premiere both tracks from Thisismenotthinkingofyou here but when I was sorting out my review schedule the other week, I realised that I hadn't written about it in full (at least to me knowledge anyway). It was a joint release by Adorno Records, Blessed Hands Records, Dead Tank Records, Dingleberry Records, Pundonor Records and Zegema Beach Records.


I’ve been sharing the Massa Nera love a little bit on here recently, so it won’t hurt to throw out some more thanks to their opening tracks on this split. ‘Un Mal Cola De Hadas’ is their first and it was the first newly recorded material to hit wax following Los Pensamientos Do Una Cara Palida was released (I think?). It’s an exhilarating mix of both instrumental emo and intense screamo with their signature Spanish vibe. Their second song ‘Doing Nothing For Others Is The Undoing Of Ourselves’ is one that builds anticipation, once again due to the instrumental build-ups that Massa Nera do so well. This time though, the heaviness that follows is a little more off-kilter, accentuated by the organic rawness of the recording. I hope that I’ve got the track order right here, as it differs online in places.


Next up on the split comes two songs from a band that are now sadly departed from the UK scene. Thisismenotthinkingofyou delivered cathartic screamo during their existence and ‘Sonambulance I’ represents them at their darkest. Drenched in near-black metal atmosphere, the screams deeper in the mix and the instrumentation awash with metallic echoes. ‘Sonambulance II’ follows on as if both songs should have never been separated. More visceral and beautiful than I remember. Gone but not forgotten.


Following Timntoy’s otherworldly calmness, Italy’s Yo Sbraito deliver three songs that are over as quickly as the time taken to write this sentence. ‘Cosa Nostra’ sub one-minute barrage of intense post-hardcore hits a different part of you brain before ‘Cordanna’s mix of fast and slow dynamics keep you guessing as to where they’re going next. Their final song ‘Rapina’ doesn’t keep you guessing for very long as Yo Sbraito’s feedback-drenched hardcore darts from fast to slow, before silence. I’m not sure if these guys are still making music together but it would be criminal if they weren’t.


Closing with Malaysia’s Ef’il, you’re treated to the most violent yet mesmeric music that the country has to offer. ‘Everyone I Know Is A Broken Heart’ is without doubt the heaviest song on this split initially but Ef’il take great care in weaving endearing guitar melody into their music, which is prevalent during the introspective mid-section before things slowly descend into noisier territory. Their second and final song ’Stockades’ is no easy listen either, focusing on more of a noise-rock approach with some shoegaze-like elements too. It’s a real heart-wrenching song musically as so much attention is paid to the quieter sections, which sit perfectly against the band’s chaotic half. I hope Ef’il release new music again, but that hope may be futile.


As I’ve said many times before, split records like this are utterly essential. The four bands showcased here really compliment each other while also being totally unique in their own right. It just goes to show that you shouldn’t let time nor music pass you by. Enjoy what you listen to and embrace those you love.


You can stream and purchase it digitally below:-



Massa Nera - https://www.facebook.com/MASSANERANJ

Thisismenotthinkingofyou - https://www.facebook.com/timntoy

Yo Sbraito - https://www.facebook.com/yosbraito

Ef'il - https://www.facebook.com/efil.mys


You can pick up physical/digital copies from the labels below too:-


Adorno Records - https://adornorecords.bandcamp.com/album/4-way-split

Pundonor Records - https://pundonorrecords.bandcamp.com/album/pun18-massa-nera-timntoy-yo-sbraito-efil-4way-split


Blessed Hands Records - https://www.facebook.com/BlessedhandsRecords

Dead Tank Records - https://www.facebook.com/deadtankrecords

Dingleberry Records - https://www.facebook.com/DingleberryRecords

Pundonor Records - https://www.facebook.com/pundonorecords

Zegema Beach Records - https://www.facebook.com/zegemabeachrecords

Tuesday, 10 January 2023

Massa Nera - Los Pensamientos De Una Cara Palida


Labels: Adorno RecordsAncient Injury Records/Dingleberry Records/Le Blast Records/Middle-Man Records/Zegema Beach Records

Formats: Vinyl/Tape/Digital

Release Date: 03 Oct 2017


Tracklist:


1. iWaltz! (La Guerra)

2. Badminton With A Neo-Nazi

3. One.Two.Zero,

4. A History In Rust

5. An Interview With Lester Young

6. Provisional Euphoria (J'ai Une Ame Solitaire)

7 Carrying A Coffin


Not so long ago I reviewed Massa Nera's most recent album Derramar | Querer | Borrar. Then I realised that I hadn't dug deeper into their back catalogue before. Thankfully, their 2017 LP Los Pensamientos De Una Cara Palida was the next release scheduled as part of my ZBR roster review series, so here we are. Before I move on though, I just want to note that I'm not a hundred percent sure if all of the labels mentioned above were involved in both the vinyl, and tape pressing of the album. If they weren't, please let me know and I'll amend accordingly.


I’ve been feeling a little aggravated this evening (due to some non-blog stuff), so I’m hoping this will cheer me up and maybe chill me out. Opener ‘iWaltz! (La Guerra)’ is certainly what the doctor ordered with it’s sensitive instrumentation and controlled heaviness. Massa Nera’s emo/post-hardcore on this album is much more old-school in approach. There must be a meaning behind the song title ‘Badminton With A Neo-Nazi’ and I’d love to know what it is, if anybody knows. It’s a more technical song this time, with different time-signatures and slightly more introspection in the music, which make the louder sections much more dramatic.


I’ve made a resolution that I’m going to listen to more music outside of my blog reviewing schedule this year, as it’s been really easy to settle into a routine of late, but with that being said; ‘One. Two. Zero.’ hits in exactly the right way and makes me feel less pressured about my consumption habits. This album was definitely the right choice for this evening. In fact 2017-era Massa Nera makes me want to break out the metalcore/hardcore albums that I favoured so much in the early 00’s, especially during the first half of ‘A History in Rust’. I’m not saying that their sound resembles metalcore/hardcore in the true sense, but it’s not all that far off here, especially in atmosphere (albeit towards the end, when you’re left with the jangly guitars and ambience).


‘An Interview With Lester Young’ is an interlude that may be an excerpt from an actual interview with the US jazz musician. Then again, it may not be and I could be way off the mark. Either way, it’s suitably dark and leads into ‘Provisional Euphoria (J’ai Une Ame Solitaire)’, which contains more percussive blasts than on previous songs in it’s verses. When Massa Nera aren’t blasting though, they’re filling the song with off-kilter, jazz-like instrumentation that’s pretty apt. The lengthiest song on the album is kept back till the end in the form of ’Carrying A Coffin’. It’s no big departure from the songs that came before it on Los Pensamientos De Una Cara Palida but it does create the best crescendo an album could hope for.


History has shown that’s it’s never too late to discover great records and bands. I really dig this record and have a much greater fondness for Massa Nera. Now, I’m going to order some UK metalcore LPs (yes, there’s a new label over here unearthing some modern bands that appreciate what came before).


You can stream and purchase the album digitally from Massa Nera below:-



Massa Nera - https://www.facebook.com/MASSANERANJ


Physical copies are sold out from all labels.


Ancient Injury Records - https://www.facebook.com/AncientInjuryRecords

Dingleberry Records - https://www.facebook.com/DingleberryRecords

Le Blast Records - https://www.facebook.com/leblastrecords

Middle-Man Records - https://www.facebook.com/middlemanrecords

Zegema Beach Records - https://www.facebook.com/zegemabeachrecords

Wednesday, 30 November 2022

60659-c - The Next Part Is A Blur


Labels: Adorno Records/Contrition Recordings/Polar Summer/Zegema Beach Records

Formats: Tape/Digital

Release Date: 15 Aug 2017


Tracklist:


1. I Was Awake

2. Convenient

3. Crowd

4. Everybody Out

5. For Expiring

6. Hold On, This Hurts

7. New Sincerity

8. The Floor

9. Which Will Never Reach You

10. Dissipating Like A Mirage


It's been an odd day today. Aside from the day job, I had a message from my friend Paul in Czechia to say the blog was down. I came home to find that over 3000 people had visited it during the day, which may have been the reason for the crash (I don't know!). Either way. it seems that normal service resumed a while ago so it's time for another ZBR roster review featuring Virginia, USA emoviolence band 60659-c. The Next Part Is A Blur contains the only songs from the band to date (or maybe ever, though there are no signs that they've ever called it a day) and was released in August 2017 digitally and on tape.


This album flies by fast so I’m not sure how descriptive this review is gonna be, but I guess we’ll find out. 60659-c come straight out of the blocks on The Next Part Is A Blur with opener ‘I Was Awake’, which is filled with all of the good parts of emoviolence including the high-pitched screams, the riffs and bold percussion. Ringing feedback is another notable feature and it’s alive, and present on ‘Convenient’. Now is it me or are some of those high-pitched screams reminiscent of Alien Ant Farm’s ‘Smooth Criminal’ cover (hopefully you’ll know the part I mean). 


There aren’t many songs on the album that pass the minute mark and ‘Crowd’ is one of three that doesn’t make it past thirty seconds, yet it has an oddly mid-paced feel to it. Maybe that’s just an illusion of sound though. ‘Everybody Out’ starts with an introspective intro and turns into one of the most melodic songs so far. That melody is a constant on the band’s more drawn out songs (if that’s a fair descriptor) and ‘For Expiring’ uses more of it alongside harsher and more emotive screams, and a slight hardcore influence as well. ‘Hold On, This Hurts’ is like some sort of bizarre nursery rhyme/wind-chime symphony that bursts into life during it’s final fifteen seconds or so. It’s a really creative song that has plenty of impact.


You’re snapped back to reality on ‘New Sincerity’ as any sort of twinkly melody and peace is shattered by 60659-c’s full-on approach. Granted, you’ve probably heard emoviolence that’s rawer than this, but bands do need a unique selling point at times and the ability to be musical, with a clearer recoding works here. ‘The Floor’ is another one where the riffs reign supreme and with the vocals and drumming sitting slightly deeper, you are dragged into the music even more.


Penultimate number ‘Which Will Never Reach You’ is here before you know it and it’s got that chunkier hardcore edge to it again, as well as some lovely bass tones during it’s second half. It leads nicely into ‘Dissipating Like A Mirage’, which is the only track to break the minute mark. At times it’s super fast and blasting, while at others it drifts in a state of calmness and introspection. A great way to end an album that may forever be the only uttering from 60659-c. If that is to be the case, then it’s certainly made it’s mark.


You can stream The Next Part Is A Blur and grab it as a name-your-price download below:-



60659-c - https://www.facebook.com/60659c


Tape copies are long sold out.


Adorno Records - https://adornorecords.bandcamp.com

Contrition Recordings - https://www.facebook.com/contritionrecordings

Polar Summer - https://polarxsummer.bandcamp.com/

Zegema Beach Records - https://www.facebook.com/zegemabeachrecords

Sunday, 5 December 2021

The Ultimate Screamo Band - La Saison Du Champignon


Labels: Desordre Ordonne/Friendly Otter/GBS Records/Zegema Beach Records/Adorno Records/Lead Rivers Records

Formats: Vinyl(Lathe)/Tape/Digital

Release Date: 13 Dec 2015


Tracklist:


1. La Raison Du Cabochon

2. Repenser

3. Bizarre Et Insistant

4. L'endette

5. Le Grand Suicide Pensant


I couldn't leave this review unpublished any longer, as I've writing and re-writing it for a few days now. This one is another Zegema Beach Records roster review, featuring French Canadian solo-screamo project The Ultimate Screamo Band. It's funny because the title of this release includes the name of my favourite type of beer as the moment (Saison), but that's a mere distraction. This EP was released back in late 2015 via a good few labels (all named above and according to Discogs). 


This EP’s playing time is less than five minutes it total, so I guess the fact that it was pressed onto a lathe cut 7” was due to it’s length (the tape copies were single-sided too, before you pull me up on that!). Opener ‘La Raison Du Cabochon’ is the essence of emoviolence, distilled into a sub one-minute song. Blistering instrumentation and vocals take no prisoners here.


‘Repenser’ is no different, albeit slightly longer. The vocals are way more piercing this time though, kinda reminding me of The Body (sorry for the unoriginal comparison). ‘Bizarre Et Insistant’ follows on immediately afterwards, providing no let up. It’s safe to say that The Ultimate Screamo Band might just be that! Trust me, they’re not boasting.


‘L’endette’ is musically brilliant from start to end and it proves once again that emoviolence/screamo can be beautiful, melodic and life-affirming all in one. EP closer ‘Le Grand Suicide Pensant’ is the longest song present on this release, clocking in at just under ninety seconds. Semantics aside, there’s a lo-fi quality to it’s beginning that makes you forget the caustic intensity that’s to come. 


La Saison Du Champignon goes by very quickly and definitely still holds up as the debut release from a band that turned up, destroyed everything and left (although the band isn’t fully gone). Emoviolence is fun. Be more like emoviolence.


You can stream the full EP and grab it as a free download below:-



The Ultimate Screamo Band - https://www.facebook.com/theultimatescreamoband


All physical copies of this EP are long sold-out, as far as I can tell.


Desordre Ordonne - https://cargocollective.com/desordreordonne

Friendly Otter - https://www.facebook.com/friendlyotterrex

GBS Records - https://www.facebook.com/GBS-Records

Zegema Beach Records - https://www.facebook.com/zegemabeachrecords

Adorno Records - https://adornorecords.bandcamp.com

Lead Rivers Records - https://leadriversrecords.bandcamp.com

Wednesday, 22 August 2018

Moss Rose/Caton & Ophélie/Duct Hearts/Child Meadow - Split 12"


Labels: Adorno Records/Dingleberry Records/Dreamingorilla Records/Friendly Otter Records/Hardcore For The Losers Records/KeepHope Productions Records/Time As A Color
Formats: LP/Digital
Release Date: 16 Aug 2018

Tracklist:

1. Moss Rose - Drowning In Fire
2. Caton & Ophélie - A Safe Place Pt.2
3. Duct Hearts - The Sun Downed. And So Did We (Except B)
4. Child Meadow - Anders

Yay I don't feel like crap anymore! Apologies for the lack of post's over the last few days, it seems I had a dodgy virus that culminated in me getting dizzy and loosing my balance multiple times. Being well again mean I can review this swell 4-way split LP, which was kindly sent to me by Daniel at Time As A Color. It features songs and excerpts from UK blackened screamo band Moss Rose, French post-hardcore bands Caton & Ophélie and Child Meadow, as well as German indie/post-hardcore band Duct Hearts. It was released earlier this month on two different coloured single-sided LPs, with lovely screen-printed B-sides.

First up on this split is Moss Rose, which features a familiar face amongst it’s ranks. Drowning In Fire is actually the first song I’ve heard by the band and it lives up to the billing. It’s filled with atmospheric and brooding post-hardcore, with screams that reside in the distance. Warm in sound and production. When the band’s blackened-screamo and dual-vocals kick in, your heart will beat that little bit faster and your senses will be heightened due to the song’s volume and it’s emotive intensity. Caton & Ophélie is another new name but they instantly make you take note with A Safe Place Pt.2. The instant hit of their mid-paced screamo is undeniable, with guitars that sometimes crunch and sometimes twinkle, along with the usual crashing percussion and harsh screams give this brief song a lot of life.

Duct Hearts has been a longtime favourite band on this small part of the Internet and with The Sun Downed. And So Did We (Excerpt B), they’e picking up where they left off on “Feathers”. As the title suggests, their song is just an expert but it gives you a clue as to the expansive nature of their forthcoming music. It’s big in so many ways but also gentle, especially when the cleanly sung verse comes in. They’re maturing into such great song-writers. Child Meadow closes the split out in typically great screamo fashion with their song Anders. It’s loud/quiet aesthetic is restrained yet it still breeds anticipation, which is sated by a second-half that features life-affirming hardcore. 2018 will be the years that’s known for incredible 4-way screamo release and this one can do no wrong. All of the bands are great and the music, which only drip-fed is equally as great. Too stuff!

You can stream the full split below:-





Physical and digital copies can be purchased from the labels below:-

Adorno Records - 

Dingleberry Records - 

Dreamingorilla Records - 

Friendly Otter Records - 

Hardcore For The Losers Records - 

KeepHope Productions Records - 

Time As A Color - 

Wednesday, 1 August 2018

4-Way Split PremieRing - Thisismenotthinkingofyou



On August 2nd a new 4-way split 12" featuring Massa Nera, Thisismenotthinkingofyou, Yo Sbraito and Ef'il will be released (with vinyl copies coming later in the month. It's being released collaboratively by Dead Tank Records & Distribution, Dingleberry Records, Adorno Records, Zegema Beach Records, Blessed Hands Records & Pundonor Records.

As a one-off, I am lucky enough to be hosting the premiere of the two songs by UK emoviolence band Thisismenotthinkingofyou that will appear on the split. You can stream them via Youtube below:-


Sonambulance I


  Sonambulance II 


Three other blogs will be streaming the songs by Massa Nera, Yo Sbraito and Ef'il, with each blog premiering one band. See below for details:-

3. Yo Sbraito - https://idioteq.com/

Make sure you check out all three!

Pre-orders for the vinyl will be available via the links below:-


Thisismenotthinkingofyou - https://www.facebook.com/timntoy/