Showing posts with label Desert Records. Show all posts
Showing posts with label Desert Records. Show all posts

Sunday, 31 October 2021

Breath - Primeval Transmissions


Labels: Desert Records

Formats: CD/Tape/Digital

Release Date: 05 Feb 2021


Tracklist: 


1. Evocation

2. Dwarka

3. Observer

4. Battle For Harmonic Balance_ Halls Of Amenti

5. Evocation (reprise)


I'm still working my way through my inbox. I have two weeks off from the day job at the end of November, so hope to fully get on top of it then. I have plenty to keep me busy in the meantime though and acting on impulse, I'm finally writing about the debut record from Portland, Oregon (US) bass/drum duo Breath. They released Primeval Transmissions via Desert Records back in February. They play meditative yet heavy doom. I'm a little late to this but I hope you check the album out and enjoy it.


The day is ending as it started, with falling rain and cold autumnal feels. Hopefully, the tones of Breath can warm us all up. The duo paints a bluesy, groovy picture with a mix of lumbering bass and actually quite technical percussion from Steven O’Kelly and Ian Caton respectively on album opener ‘Evocation’. The vocals are clean and deep in delivery. Breath is very much an instrument-led duo, which is fine by me. To be honest, the changing of the clocks today has completely thrown me as I think It’s later than it is, so forgive me if this review is slightly odd. That being said, this is definitely the right kind of music to be listening to in this time addled state. ‘Dwarka’ is a fourteen minute plus march to the death that gathers up everything that makes Breath’s sound so organic and rich. 


It is Halloween in the UK this evening, though something tells me that trick or treating will be off given the frightful weather outside. Thankfully, I don’t have to worry about that living in a secluded block of flats. If I was in a detached dwelling though, I’d be playing ‘Observer’ through hidden speakers outside the front of my house, just to add to the menacing feel of the evening. I’m not saying that Breath are trying to be scary or anything but this kind of slow doom provides adequate ambience, while not being overtly horrifying. Far from it in fact, this is amongst some of the nicest sounding blues-laden doom you’ll hear all year. The duo becomes a trio for this song only, thanks to the addition of electric guitar from Rob Wrong.


Up until now Breath have been all about catchy, one word song titles. That ends with the rumbling beginnings of ‘Battle For Harmonic Balance _ Halls Of Amenti’ though and what you get here is some subtle occult doom given the bass/drum treatment. They’re influenced by bands like Om, Grails, Yob and Sleep, and you can hear elements of all four within their music. That’s no bad thing at all and for somebody who’s been leaning more towards slower tones of late, this release is perfect throughout. 


Breath close out proceedings with ‘Evocation (reprise)’, which is brief in comparison to the previous song. It’s instrumental warmth presides over everything and makes it the perfect way to end the record. It reminds me of the improvisational, intelligent bands I was witness to in Leeds (the closest city to me in the UK), when I frequently turned up suited and booted (literally, as I worked office jobs there) to gigs in the city. Bands like Khuda and any bands that featured my favourite bassist, P Priest.  


The final half of that last paragraph probably means nothing unless you also lived in and/or went to gigs in Leeds over years gone by. Anyway, Breath are brilliant. The duo doesn’t overdo things and their lees-is-more approach to doom pulls them closer to the traditional beginnings of the genre. Fantastic and I’m sorry for leaving this review for so long.


You can stream 'Primeval Transmissions' and buy it on all formats below:-



Breath - https://www.facebook.com/Breathpdx

Desert Records - https://www.facebook.com/desertrecordslabel

Tuesday, 13 April 2021

Cortege - Chasing Daylight EP


Labels: Desert Records

Formats: CD/Digital

Release Date: 26 Feb 2021


Tracklist:


1. Chasing Daylight (Part 1)

2. Chasing Daylight (Part 2)


After yesterday evening's excitement, I wanted to slow things down. This two-track EP comes courtesy of Cortege, a duo from Austin (Texas, USA) that describes their music as post-western ambient doom. Chasing Daylight was released in February via Desert Records (New Mexico, USA) and it follows on from various EPs and Singles dating back to 2016. Here, the duo made up of Mike Swarbrick (who plays bass IV, moog, mellotron and tubular bells) and Adrian Voorhies (drums) is joined by brass musician Michael St. Claire who expands the line-up. This is my introduction to Cortege, as I'm sure it will be for many of you. Let's experience them together.


This is very much another step into the unknown for me musically but when Bandcamp brings up The Owl and L’uomo Nero as similar recommendations, I guess pigeonholing is futile. ‘Chasing Daylight (Part 1)' starts with an extended intro sample that leads into calming instrumental music that definitely has it’s roots on western music. It feels almost improv at times but I’m not sure that’s the case, as it is very well structured and towards the latter half, Cortege’s sound becomes a lot more cinematic too. The added tones of the tubular bells, mellotron, moog and brass all contribute in such a great way to this as well.


‘Chasing Daylight (Part 2)’ follows on instantly with barely a pause. It’s soothing instrumental waves seem to wash over you and even though Cortege is billed and as an ambient doom band, their doom is very much tempered down and at times even avant-garde, if I can be so pretentious to say! Without the opening sample that graced the EP’s first song, this one immediately seems longer, which is actually the truth, as it span almost nine-minutes in total. Again though, it’s a lesson in minimalist yet progressive music. At times barren like the desert but at other times warm and inviting. 


This EP is unlike anything I’ve heard so far this year. It’s not complicated by the addition of vocals and because of that, it’s easier to get lost in music-wise. Cortege are clearly skilled at what they do and deserve to be encapsulated in a longer release in the near future at the very least.


Chasing Daylight is available to purchase digitally or on CD below:-



Cortege - https://www.facebook.com/cortegeatx

Desert Records - https://www.facebook.com/desertrecordslabel