Horders is the solo dark ambient music project from the eminent artist Give Up. In the past, Horders has released a split record with Rot In Hell and Fimbulvetr is the latest release to come from the project. This releases have been put out on two different formats. Vinyl, but UK label Feast of Tentacles and on Tape, from Canadian label Prairie Fire Tapes. It features 14 challenging compositions.
Tracklisting:-
1. World Without End
2. South Of The River
3. Feral
4. Gateway
5. Destiny
6. Gallery of Plague
7. Icarian
8. Iantana
9. Santa Susana
10. War Lust
11. In Theater, In State
12. Psychic Apocalypse
13. Kings
14. Rotten Hell
Fimbulvetr opens up with the slow, sludgy droning guitar of
World Without End.
It's a slow precursor to what's is to be unleashed and already
it sounds crushing. The slightly muddiness of the guitars making the noise
element stand out even more.
South Of The River carries that noise element on, but this
time through the use of electronics. A droning semi-white noise sound permeates
from the speakers during the first sixty seconds or so, before slowly dying
away. There's subtle guitar rearing its head at this point, which gives the song
a strangely medieval slant. It's a very relaxing passage of music after the
initial deafening opening. There are also other instrumental elements at play
here that help to build more subtle layers of intrigue, especially the keys.
Feral sounds like a hellish Western inspired soundscape.
There seems to be the sound of persistent rain in background, created by the use
of electronics, which gives it a very claustrophobic sense. To call this music
just dark ambient is an injustice, as it morphs into some much more as it winds
its way along. Gateway sees the re-emergence of the electric guitar, albeit
briefly. There are also some whispered vocals, which conspire to set you on
edge. The use of layered guitar and feedback here also makes the song sound
very menacing. Destiny features solo piano, played over the top of strange
noise and whispered, female spoken word. It sets a haunting but slow scene!
The slow building soundscapes of Gallery of Plague herald in
guitar feedback and very slow, winding riffs. It has a sludge/doom feel to it,
thanks the drums that can be heard deep within the mix. The more metal/hardcore
edged influence really rears it head in the song, especially thanks to that
long, ringing lead solo. Icarian is a strange acoustic driven song, with
distant chatter in the background. It's a short, lonely piece.
The song carries straight on into Iantana. They seem to play
out a story and provoke subtle imagery throughout the composition. It builds in
it's second half, with guitar feedback boosting the volume as the song builds,
alongside the acoustic guitar, which by this point is less sporadic.
Santa Susana sees Horders favouring the noise elements
again. More white noise is followed by a sample from a crowd cheering, which
provides a bit of surprisingly upbeat respite, before dying down and revealing
a more guitar driven sound. It again paints a strange picture as it twists through
three and a half minutes. War Lust seems to present more melody than previous
songs, however this is not melody that most would expect, as it's only comes in
the form of the opening riff, which is repeated in the first few bars before
making way for more low-end noise. There's more drone being used in this song,
but that sense of more traditional metal influence is still present.
Give Up, the creator of Horders has a blog at http://ingivingup.blogspot.co.uk/, featuring artwork and Horders related information.
Below, are two of the songs from Fimbulvetr, that feature on special cassette and are streaming on Horders bandcamp page:-
As mentioned above, you can purchase the LP version of this release from Feast Of Tentacles at http://www.feastoftentacles.com and the tape version can be bought from Prairie Fire Tapes at www.prairiefiretapes.com.
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