We Watch Clouds - Resumé

Labels: Arkan Records/D.I.Y Kolo Records/Wungiel Records/Zegema Beach Records

Formats: CD/Tape/Digital

Release Date: 25 Aug 2017

Tracklist:

1. Dissemination (Intro)

2. Heavy Rain Over Mariampole

3. Tom Curse

4. Euphorically - Disphoric

5. Dyslalia

6. Dandruff

7. Anhedonia

I've been looking forward to this evening and being able to get my teeth into something a bit lengthier. It's time for another Zegema Beach Roster review, where I make my way up the label's bandcamp page from bottom to top and right to left. It's a long process but discovering bands this way (admittedly bands that I should already be well aware of) is a lot of fun and tonight I bring you Polish screamo/hardcore band We Watch Clouds and their 2017 release Resumé. This was their third release that I'm aware of, but as luck would have it, there's a new album due imminently!

My timing with this review wasn’t planned but sometimes things do sort of fall into place. Revisiting  Resumé prior to the new album seems apt and ‘Dissemination (Intro)’ is every bit the atmospheric, anticipation building opener. Instrumental until the final bars, it doesn’t give too much away regarding the full intent of We Watch Clouds, but that’s not too far off as ‘Heavy Rain Over Mariampole’ greets you with a subtle sludge-like build-up that’s followed by technical, mathy screamo with emoviolence at it’s core. Raw and incredibly emotive, it strikes you in the most perfect way.

From here on there’s a lot more urgency from We Watch Clouds, as demonstrated on ’Tom Curse’. It’s percussion is audibly louder and the screams are more piercing, up against the backdrop of dissonant, feedback-ridden guitars. It just goes to show that songs don’t need to last long to create an impression. With that being said though, ‘Euphorically - Disphoric’ is a beautifully melodic song with emo in all that right places. It builds on everything that’s good about We Watch Clouds, from the layered sounds to the intense feeling that their songs create. 

The next two songs come and go with absolutely no warning. ‘Dyslalia’ is pure caustic emoviolence at it’s best while ‘Dandruff’ doesn’t deviate from that path, except for moments of glorious art-rock inspired guitar. Album closer ‘Anhedonia’ comes around way to quickly and with it, We Watch Clouds produce both their heaviest and their most majestic song here. It really draws out all of the emotions from every member of the band and transfers them to you as the listener. 

Resumé takes you on a journey that’s unexpected. As a whole it works so well and also offers perspective, which is surprising. As somebody who wants to wave goodbye to the small and negative aspects of daily life,  this release gives me hope. If you’ve slept on this album and feel the need to cleanse, now is the time. Positive vibes only.

You can stream and purchase Resumé digitally below:-

You can keep updated with news of the new album via the band's Facebook page here:-

We Watch Clouds - https://www.facebook.com/wewatchclouds

I'm not aware of any physical cd or tape copies that are still available, but the below labels may still be able to point you in the right direction:-

Arkan Records - https://www.facebook.com/arkanrecords/

D.I.Y Kolo Records - https://www.facebook.com/DIYKoloRecords

Wungiel Records - https://www.facebook.com/WungielRecords

Zegema Beach Records - https://www.facebook.com/zegemabeachrecords

Pyre Fyre - Rinky Dink City/Slow Cookin'

Labels: Self-Released

Formats: Digital

Release Date: 18 Feb 2022

Tracklist:

1. Rinky Dink City

2. Slow Cookin'

It feels great to have some real momentum again writing-wise. I'm flying through the review schedule I devised two weeks or so ago and this evening I'm focusing on a new band, who released their first two-track single back in February. Pyre Fyre are a trio from New Jersey, USA who play heavy-psych/sludge. Between February 2019 and this little EP, they digitally released three singles. This EP features backing vocals by Ambriosia Gainous and also a guitar solo from Dustin Bartee of Ethereal Sea. 

Pyre Fyre’s music is not at all what I was expecting (though I should learn not to take press-releases/bandcamp tags too literally). It does contain heavy-psych/sludge influences, but also loads of noise-rock, jazz and blues that would be at home in the deep south. It may initial sounded a bit rough around the edges but as it grows, the sense of fun and genuine rhythm show through. The additional soulful vocals of Ambriosia Gainous give a lot more that just backing and elevate things ever higher.

‘Slow Cookin’’ is a proper stoner/doom jam that’s all about the groove. Bass-heavy and raw in the right way, it shows Pyre Fyre’s potential. They like a bit of humour and it shows here. The solo from Dustin Bartee (at least I think it was his!) rounds out the song in style, even if it does end abruptly.

Pyre Fyre have talent for sure and hopefully they’ll follow these two songs up with something lengthier on their next release. I think they have a great base sound and if they focus on building on what they have so far, they’ll grow and grow. 

You can stream and purchase Rinky Dink City/Slow Cookin' digitally below:-

Pyre Fyre - https://www.instagram.com/pyrefyr /  / https://www.facebook.com/pyrefyre

Gouger - Cranial Demolition

Labels: Self-Released/Dry Cough Records/Burning Dogma Records

Formats: Digital/Tape/CD

Release Date: 06 Dec 2021

Tracklist:

1. Cranial Demolition

2. Dumped In The Sewer

3. Wood Chipped Human Compost

4. Gouger

5. Force Fed Carnivorous Worms

It's an early one today before I head out for some family time. The debut demo from Glaswegian death/grind band Gouger was released last December. After an initial digital release by the band themselves, It got picked up by Dry Cough Records, who made it their last release of the year. Two tape runs later and it sold out. In early 2022 a CD version was released via US label Burning Dogma Records. The duo that make up Gouger also play in the likes of Persecutor and BrainBath, to name but a few.

Cranial Demolition’s five tracks last no more than nine minutes. The opening title-track starts with a chilling sample that pretty much sums up what Gouger is all about. The music kicks in half-way through and at first it’s somewhat mid-paced, before morphing into a collage of rapid death/grind. Everything about it is low, from the guitars to the vocals, while the drumming dominates.

There’s always been a strong connection between horror movies and death metal, which is kind of an obvious thing to say but that connection grows further on ‘Dumped In The Sewer’. It comes and goes quickly, with an enthralling undertone of slamming death underneath the grind. 

Gouger keeps the theme going throughout Cranial Demolition and there’s a slight comedic nature to ‘Wood Chipped Human Compost’, although maybe that’s just me thinking it. One thing is certain though, the band’s music is very precise sounding, even if the DIY recording makes it sound dirty.

The song that bares the band’s name is the shortest here yet it feels more engrossing. I mean, I’m not sure how you can get lost in a sub one-minute song but somehow I did. I think it has something to do with the clever use of tempo changes and variation that adds atmosphere.

Final song ‘Force Fed Carnivorous Worms’ seems long in comparison. It’s good fun though and it draws the demo to a close in disgusting style. Scotland has always had a very solid death metal community and it adds real personality to the growing UK scene as a whole. Gouger do that and then some. They’ve already followed this demo up with a split release and hopefully there’s more yet to come.

You can purchase the demo digitally from Gouger below:-

Gouger - https://www.facebook.com/gougerdm

CD copies are still available to buy from Burning Dogma Records and Gouger may have some left too:-

https://burningdogmarecords.bandcamp.com/album/cranial-demolition

Dry Cough Records - https://www.facebook.com/DryCoughRecords

Burning Dogma Records - https://www.facebook.com/BurningDogmaRecords

Colacon - This Little Light Of Mine, It's Gonna Burn My Eyes Out Ft. Cody Chudy Song/Video Premiere

On October 7th, Canadian label Tomb Tree releases the new album The Pestilent Sickness from Georgia, USA grindcore/mathcore band Colacon and this evening, I'm honoured to be able to bring you the second track premiere for the release, 'This Little Light Of Mine, It's Gonna Burn My Eyes Out' featuring guest vocals from Cody Chudy.

Check the video out for the song in all it's glory below:-

You're in for a treat with this, especially if you like your technical grind/death served up with a huge dollop of mathcore craziness!

It'll be available digitally but there's also going to a (sick!) tape pressing from the aforementioned Tomb Tree, featuring 51 tapes. 30 copies will be on a purple/green swirl, 10 will be on a yellow/red swirl, plus there will 6 test dips and 5 mystery swirls.

Tomb Tree has already revealed the 'Handshake with lawnmower on a sunny day' yellow/red variant tape on their social media channels. Here it is below:-

The Pestilent Sickness will include eleven songs in total and promises to be a proper head smasher!

The first track to be premiered from the album 'We're Gonna Need A Bigger Lawnmower To Keep These Snakes Out The Grass' is available via OPENmind/SATURATEDbrain below:-

https://openmindsaturatedbrain.blogspot.com

For more news on the release, keep your eyes glued to the below links:-

Colacon - https://www.facebook.com/colaconga

Tomb Tree - https://www.facebook.com/tombtreetapes

Sarin - Darker Lakes

Labels: Arkan Records/Dead Punx Records/Dingleberry Records/R.I.P In Peace Records/Zegema Beach Records

Formats: Vinyl/Digital

Release Date: 25 Jul 2017

Tarcklist:

1. Ice Wrought

2. Amber Guide

3. Darker Lakes I: Moraine

4. Embers Circling Downwards

5. Darker Lakes II: Crater

6. Bloom

7. Ocean Burn

8. Darker Lakes III: Glacial

9. Low Moon

It seems that I'm (unconsciously) focusing on Canadian bands right now. I mean Schedule 1, Terry Green and Seven Nines And Tens all come from Canada (three out of the last five bands I've reviewed, if I'm correct!). Make that four out of the last six with Toronto, Ontario's Sarin. This is also the latest in my ZBR roster review series and focuses on their 2017 full-length Darker Lakes, which turned out to be the last before they went on to work with Prosthetic Records, though ZBR's sister label Tomb Tree did release their follow-up You Can't Go Back on tape in 2021, the same year it was released via Prosthetic on LP/CD.

Somebody needs to update Sarin’s Discogs entry for this release, as it says there are only six track on the record when there are nine. I guess whoever wrote it ignored their ‘Darker Lakes’ trilogy here. Sarin are a self-proclaimed doomgaze/shoegaze band, which are also sub-genres that I’ve been delving into recently. Album opener ‘Ice Wrought’ is a very grandiose song, with mountains of riffs, lingering feedback and dramatic percussion. The mix of clean and harsh vocals compliment each other perfectly and help to open up the album even at this early stage. 

On ‘Amber Guide’, you’re whisked off to a dreamy island at first before reality comes crashing back down again in the form of truly crushing dissonance. It’s way more doom-like when the heaviness kicks in but it’s punctuated for large passages by more gentle instrumentation. The vocals sit deeper within the harsh parts, making it a song of true twists, turns and introspection. 

The first of the album’s ‘Darker Lakes’ trilogy comes in the form of ‘I: Moraine’ and it’s a haunting instrumental complete with whispered, unnerving vocal tones. It breaks up album but doesn’t break up the mood at all. Sarin has garnered a lot of praise for this album and it’s easy to see why. As a band, they’re not afraid to step out of the shadows to create music that crosses over into more mainstream alternative echelons. You might get a sense of that on ‘Embers Circling Downwards’ (despite my attempt at using more words than were needed in the previous sentence). Either way, what is true is just how good it sounds.

‘II: Crater’ is the second of the ‘Darker Lakes’ trilogy and once again in proves to be fraught with danger as it’s bass-heavy, sample-laden tones ring out and guide you into ‘Bloom’, which signals the album’s second half. As it started, it continues with clean vocals and a distant, almost grunge-like atmosphere. No gloom though, just waves of sound that herald a slower burning side to Sarin. Rhythmically on point and led by a rumbling low-end, it promises no safe haven while still inviting you into the sheltered bay with it’s siren song. 

You get a feel that the album is coming to a close with ‘Ocean Burn’ but don’t be fooled, it’s a long way from over yet. The spacial atmosphere of the song looms large as the layers build and the anticipation fizzes along with Sarin’s post-metal majesty. The final part of the ‘Darker Lakes’ trilogy, ‘III: Glacial’, feels just that. Not cold in any way but truly expansive and awe inspiring for such a short song, as it leads into album closer ‘Low Moon’.

Ending with a ten+ minute number is genius because it allows you to cling onto Sarin’s beauty for a little longer than you otherwise might have. I realise that this review has turned into a bit of a mammoth read, but I regret nothing. Music (and writing about it here) are the only things truly sustaining my interest right now (aside from my family and friends of course). Overall, ‘Low Moon’ mainly exists in instrumental form, with sporadically used vocals. That’s perfectly fine as it allows their breadth of song-writing skill to really shine through.

Five years may have passed since this release but it still stands up hella well today and deserves all of the praise it gets. Sarin may have fallen off people’s radars recently but I hope that this review might draw people back to them. Fantastic from beginning to end!

You can stream and purchase Darker Lakes digitally from Sarin below:-

Physical copies are still available from the labels below:-

R.I.P In Peace Records - https://ripinpeacerecords.storenvy.com/

Zegema Beach Records USA Store - https://zbrusa.com/collections/zbr-releases/products/sarin-darker-lakes-12

Arkan Records - https://www.facebook.com/arkanrecords/

Dead Punx Records - https://www.facebook.com/deadpunxrecords

Dingleberry Records and Distribution - https://www.facebook.com/

R.I.P In Peace Records - https://www.facebook.com/r.i.p.inpeacerecords

Zegema Beach Records - https://www.facebook.com/zegemabeachrecords

Deathnoisefrequency - Horrid Dirge + Omitted Horrid Chapters

Labels: Wall Of Sound Records

Formats: Digital

Release Date: 17 July 2020

Tracklist:

1.  Chapter III: The Mortician's Lamenting Dirge

2. Chapter IIII: Horrid Choirs

As I cling desperately onto the remaining hours of my annual leave before returning to my day job, I thought I'd fit in a couple of short reviews. Both are of releases from the same band; Deathnoisefrequency, who hail from Saudi Arabia. Horrid Dirge was their first release, dating back to July 2020. Along with the second review, this feature is a precursor to another feature that I'm planning, which addresses the plight of bands that exist in countries with strict regimes, but more on that later. For this release, the duo of Ghassan Al Fudail (guitars) and Ahmed Mahmoud (vocals) are joined by session musicians Diya Azzony (keys, bass, effects) and Sarah Belle Reid (additional keys, trumpet and effects).

Deathnoisefrequency promise to make things uncomfortable for you as a listener and on ‘Chapter III: The Mortician’s Lamenting Dirge’, they waste no time in producing a harsh soundscape complete with almost industrial, programmed drums (I’m guessing! Please correct me if I’m wrong). It’s great to here how they interpret extreme music like this. It can’t be easy to exist as such an extreme musical entity in the Arabian Peninsula but Deathnoisefrequency clearly care about their art and it’s very enjoyable to listen to so far; especially with the production work of Diya Azzony.

Second song ‘Chapter IIII: Horrid Choirs’ is filled with ambiance and additional effects, as the opener was. It’s drone-like dirge sits perfectly alongside the trumpeting of Sarah Belle Reid, giving it an ever more menacing feel. At times there’s a harshness akin to Rammstein, but that’s a very tenuous comparison. This is way more avant-garde. One thing’s for sure though, overlooking this is a grave mistake if you like music on the more experimental end of the spectrum. 

You can stream Horrid Dirge and purchase it digitally below:-

Labels: Wall Of Sound Records

Formats: Digital

Release Date: 31 Oct 2021

Tracklist:

1. The Beast's Lamenting Dirge

2. The Children's Lamenting Dirge

Coming more than twelve months after Horrid Dirge, Deathnoisefrequency released Omitted Horrid Chapters in October 2021. Again featuring two tracks, but this time both of the same length, it remains their latest release to date. It also once again features the guest musicianship and expertise of Diya Azzony and Sarah Belle Reid. 

Omitted Horrid Chapters is billed as a re-working of ‘The Mortician’s Lamenting Dirge’ and on listening to opener ‘The Beast’s Lamenting Dirge’, I can hear where Deathnoisefrequency are coming from. There seems to be more black metal influences coming through in the vocals here, as well as the ambience/effects that were heard on their first EP. 

Second song ‘The Children’s Lamenting Dirge’ almost feels like it could follow straight on from the EP’s opener without the pause, and indeed it probably should but that’s just my opinion. In it’s own right, it’s a lovely layered song that follows on perfectly in a musical sense. There’s a part of me that was expecting Deathnoisefrequency to be a lot noisier, even venturing into harsh noise, but that was the wrong assumption to make. There’s much more to them musically and that’s a reason to take notice.

Omitted Horrid Chapters can be streamed and purchased digitally below:-

To summarise both of these EPs and Deathnoisefrequency, I wouldn't hesitate to say that the music contained herein isn’t just enjoyable, but is also a unique interpretation from a band doing things their own way. I sincerely hope that there is more to come from them. If not, then may they be an influence and a beacon for those who wish to follow them.

Deathnoisefrequency - https://www.facebook.com/Deathnoisefrequency

Wall Of Sound Records - https://www.wallofsoundsa.com

Seven Nines And Tens - Over Opiated In A Forest Of Whispering Speakers

Labels: Willowtip Records

Formats: CD/Digital

Release Date: 07 Jan 2022

Tracklist:

1. Popular Delusions

2. Throwing Rocks At Mediocrity

3. Midnight Marauders

4. Let's Enjoy The Aimless Days While We Can

5. Edutainment

6. Fight For Your Right To Partial Relevance

7. Sunshine

In January, Canadian progressive/post-metal band Seven Nines And Tens released their latest (and third full-length) Over Opiated In A Forest Of Whispering Speakers via forward-thinking label Willowtip Records, whom they have been signed to since 2020. This is my first time hearing the band; however, after reading that they've shared the stage with the likes of Minus The Bear, Astronoid and Nothing (amongst many others) and having been a band since 2008, I'm looking forward to this greatly.

The discovery of new bands is a constant journey of enjoyment. Granted, Seven Nines And Tens aren’t new in the literal sense, there will be people who are only just discovering them (like me). Album opener ‘Popular Delusions’ is filled with fuzz-laden instrumentation and glorious vocal harmonies, as well progressive blues-like flourishes and tasteful percussion. There are so many familiar elements to the trio’s sound, yet everything feels fresh and new at the same time. Hearing the initial bars of ‘Throwing Rocks At Mediocrity’  reminds me of the band American Football, at least before the music gets heavier that is! Even when it does get heavier though, it’s not totally dissonant and the soothing vocals sit nicely amongst the instrumentation and don’t get overpowered by it.

‘Midnight Marauders’ is a slower-paced song with shoegaze at it’s core. As such, it’s really listenable. There’s a sense that this album could elevate Seven Nines And Tens beyond the metal underground (so to speak). They certainly deserve to heard by a much greater audience; for example, they would sit comfortably alongside Muse and Pink Floyd (which is apt, because the cover for this album was created by Ahmed Emad Eldin, who also created the cover for Pink Floyd’s Endless River in 2016). 

They grow in a more experimental direction on ‘Let’s Enjoy The Aimless Days While We Can’ with the use of different time-signatures, stop/start passages and brilliantly layered instrumentation. It flies by in no time all in spite of it’s five minute+ length. One thing I haven’t mentioned enough of yet is how good the bass guitar is on the album. You can hear it more clearly on ‘Edutainment’, where it’s bluesy/jazz-like tones really add warmth to an already warm and dramatic song.

That rhythm when the first verse of ‘Fight For Your Right To Partial Relevance’ kicks in is unexpected, given how heavy the intro is. It carries on in much the same vein with the up-beat verses being punctuated by much heavier passages and off-kilter transitions too. Because of this, it’s very much the heaviest song on Over Opiated…. Closing song ‘Sunshine’ is poignant and with a hip-hop like percussive performance as well. It’s the most bizarre song on the album with all kinds of instrumental effects, time-signatures and styles present. That’s what Seven Nines And Tens are so hard to classify.

Overall, this album blew me away. I didn’t know what to expect but it’s been a fantastic listen throughout, As I mentioned above, Seven Nines And Tens deserve greater recognition for their music and here’s hoping more people catch on in the near future. Truly excellent. 

You can stream Over Opiated... and purchase it on all formats below:-

Seven Nines And Tens - https://www.facebook.com/sevenninesandtens

Willowtip Records - https://www.facebook.com/willow

New Eux Single Released Today - Dans ce miroir

French emo/screamo band Eux have today released their new single 'Dans ce miroir'. The song will feature on the band's second album Mor(t)sang, which will be released in 2023.

For the new album, Eux have trimmed down their line-up to a three-piece, following their well-received debut album Et les Autres, which was released in 2018.

Among further news regarding the up-coming album, Eux have confirmed that there will be one or two special guests appearing. I'll leave it to them to reveal who when the time comes!

Mort(t)sang will be released with help from Hell Vice I Vicious Records, Saltamarges, Seaside Suicide Records, Voice Of The Unheard Records and Zilpzalp Records.

Eux - https://www.facebook.com/euxband

Hell Vice I Vicious Records - https://www.facebook.com/HvivRecords

Saltamarges - https://www.facebook.com/saltamarges

Seaside Suicide Records - https://www.facebook.com/SeasideSuicideRecords

Voice Of The Unheard Records - https://www.facebook.com/voturecords/

Zilpzalp Records - https://www.facebook.com/zilpzalprecords

Vaticinal Rites - Vaticinal Rites EP

Labels: Caligari Records/Dry Cough Records/Redefining Darkness Records

Formats: CD/Tape/Digital

Release Date: 12 Nov 2021

Tracklist:

1. Dysphoria

2. Telekinetic Blood Ritual

3. Burning Elysium

4. Flesh Portal

It's been a little while since I've championed a Dry Cough Records release here. Dry Cough helped to release the debut EP from UK death metal band Vaticinal Rites, alongside US labels Caligari Record and Redefining Darkness Records last November. Four songs from a three-piece (four including the session drummer) that have been getting plenty of praise from the Youtube community. They're in the process of writing their debut full-length too, so it's the perfect time to get acquainted with their sound.

There’s always been a great history of UK death metal, just like there has been with doom (which is where Dry Cough Records made it’s name, kind of). Bringing another new death metal band to the fore was always going to be on the cards, alongside the awesome Slimelord, Visions From Beyond et al. Vaticinal Rites begin with the suspense inducing opener ‘Dysphoria’, which is a short and ambient-filled intro that leads into ‘Telekinetic Blood Ritual’. It’s a proper dirty death metal song. Not too br00tal and with just enough old-school murkiness to make it stand out in a scene that’s overdone slam breakdowns (at least for now). 

‘Burning Elysium’ is filled with thrash vibes initially, before the gutturals and pinch harmonics take over. Fast-paced unlike your so-called “work environment” and truly groove-laden, Vaticinal Rites know exactly what they’re doing. This really doesn’t sound like a debut at all. It’s way too accomplished. Closing song ‘Flesh Portal’ takes succinct death metal to an eye-watering level. Everything about this EP raises the bar; from the accurate and authoritative percussion, the rumbling low-end bass, the more than skilful rhythm/lead guitar work and the dual-pitched vocals. The production and mixing/mastering is also well worth a mention, especially when you consider that the recording process took place at three different locations. It all sounds so together.

Vaticinal Rites have put together a frankly incredible debut EP here. I can’t want to hear the debut album when it’s released. Once again, the bar of modern day UK death metal is raised. Let’s see what the rest of you have got!

You can stream the debut EP and purchase it digitally, and physically from Vaticinal Rites below:-

Vaticinal Rites - https://www.facebook.com/vaticinalrites

Physical CD/Tape copies can also be purchased from the labels below:-

Caligari Records - https://caligarirecords.storenvy.com/

Dry Cough Records - https://www.drycoughrecords.com/

Redefining Darkness Records - https://redefiningdarkness.8merch.com

Caligari Records - https://www.facebook.com/CaligariRecords

Dry Cough Records - https://www.facebook.com/DryCoughRecords

Redefining Darkness Records - https://www.facebook.com/redefiningdarkness

Terry Green - LP

Labels: Middle-Man Records/R.I.P In Peace Records/Upwind Productions/Zegema Beach Records/Zilpzalp Records

Formats: Vinyl/Tape/Digital

Release Date: 25 Aug 2017

Tracklist:

1. I

2. II

3. III

4. IV

5. V

6.VI

The only previous time I've featured Canadian punk/screamo band Terry Green here was when I wrote about their 2015 split tape with Huge Cosmic, which was released via Zegema Beach Records, whom also had a hand in the release of their untiled LP in 2017 (alongside many other collaborators). In fact to date, this is Terry Green's only full-length. It was limited to 200 copies on black vinyl, while Middle-Man Records also did a run of tapes, which is since sold out.

Despite only featuring six songs, this is definitely a long-player. Intensely DIY sounding, it truly conveys the energy of Terry Green as opener ‘I’ rings out with feedback aplenty. Given Canada’s rich history of post-hardcore and some of the bands that put it on the map, I’m surprised that Terry Green have remained under the radar of many outside of those who know. One thing’s for sure though, they’ve written and played some surprisingly intricate music on this LP, as exemplified by ‘II’ and it’s twinkly riffs. It’s not a fast song, but it’s mid-paced tempo shows a more thoughtful side to things. Switching between harsh vocals and semi-spoken word is nice too.

Talking of intricacies, ‘III’ has some great percussion leading it. There’s a bigger math-rock feel as you get further into the LP and even some post-punk/punk too. Being listenable and cohesive on record is pretty important, and Terry Green pulls it off perfectly well. The album’s second half is the more expansive and lengthy half. ‘IV’ is pensive and relaxing instrumentally, building up in volume gradually, forming something that’s unexpectedly heart-wrenching. 

The same is said for ‘V’, which forms a real collage of sounds that repeat in even bars before things briefly get louder and then slip away again. Granted at this point we’re still in the song’s first half but that’s far enough in to realise that it’ll eventually crescendo and threaten to overspill without actually doing so. A proper instrumental this time with plenty of dramatic rising and falling.

It’s left to album closer ‘VI’ to provide one last lengthy flutter of CanaScreamo from Terry Green. It’s delivered in the best way,  the only way the band know’s how. Properly epic sounding and musically rousing. I guess that’s the only way to pull of an eight-plus minute post-hardcore/screamo song after all. The latter half of the song it filed with sonic chaos that dissolves into ear-piercing guitar feedback (the same that kicked the LP off). As it all quietens down, it becomes strangely calming once again. 

I’ve been doubt a lot of reflecting on the relationship I have with the music I write about off late, as in the past I’ve tried to write more regularly and in some ways, it’s been hard to properly connect with the bands underneath. I’m not saying that’s why I’ve slowed down, but it has given me time to truly enjoy what I have in front of me. Terry Green’s LP is an example of why you should treat each band on their own merits too, instead of lumping them in with countless others for ease. It’s infectious but in a stealthy way and it makes you want to dig deeper into the rest of their discography.

You can stream and purchase the LP digitally below:-

Terry Green - https://www.facebook.com/terrygreenband

Physical copies can be purchased below (it just so happens that ZBR has recently release a new limited run of tapes, alongside the vinyl copies):-

Zegema Beach Records CAN/INTL - http://www.zegemabeachrecords.com/zegema-beach-releases/terrygreenlp / USA - https://zbrusa.com/collections/zbr-releases/products/terrytape

Middle-Man Records - https://www.facebook.com/middlemanrecords

R.I.P In Peace Records - https://www.facebook.com/r.i.p.inpeacerecords

Zegema Beach Records - https://www.facebook.com/zegemabeachrecords

Zilpzalp Records - https://www.facebook.com/zilpzalprecords

Schedule 1 - Schedule 1

Labels: Dirt Cult Records

Formats: Vinyl/Digital

Release Date: 28 Jan 2022

Tracklist:

1. Show Your Children

2. Another

3. Five Hundred To One

4. Sacred Light

5. Paint It Red

6. Invaders

Right, I can no longer allow myself to get distracted. I have a mission and that is to be more active (in a writing sense) than I have been in recent months. I've been working out a new schedule of reviews, which is pretty apt because Canadian punk band Schedule 1 was the first name I added. Their self-titled album was released via US label Dirt Cult Records back in January. This is Schedule 1's debut release and that's pretty much all I know about them, although I there's gonna be more to them than just punk.

I really miss the local punk scene that existed in my town up until a few years ago, but hearing Schedule 1 takes me right back to those times and the gigs that were put on. ‘Show Your Children’ opens up the record with a distinct nod to 80’s UK punk and the goth/post-punk of The Cure et al. There is a slight dower atmosphere to the music but then you’d expect that. That said, it’s not depressing by any stretch.’ Another’ has that reverb on the vocals that’s synonymous with the musical style and it works well during the verses, before Schedule 1 get noisier in the chorus, with an almost grunge-like approach. I love that their songs contain enough punch to justify their shorter lengths. No room here for sticking around!

I can definitely see this record appealing to a broader section of music fans, both young and older as it sounds like it’s been plucked out of yesteryear on ‘Five Hundred To One’. I’m not poking fun with that last sentence, so please don’t take offence. I hear comparisons to Franz Ferdinand (the UK indie band) in the song too. Schedule 1 is a slightly grittier band than the one I’ve just name-checked above though and some of that grittiness shines through on ‘Sacred Light’, once again in the reverbed-vocals and hardcore influence that’s entangled within the music. At times it’s head-bobbing and hypnotic, while at others it threatens to explode with raucous energy, but never truly does.

Penultimate song ‘Paint It Red’ has the catchiest intro riff on the album and it continues through the song, providing extra melody that steers everything away from the sometimes dystopian post-punk sound/mood. It shows, as I eluded to in the opening paragraph, that there’s much more to Schedule 1. Album closer ‘Invaders’ has a more off-kilter feel, though it’s also a song that would have been at home on any Tony Hawk’s Pro Skater soundtrack. Catchy, memorable without being cheesy. I guess that’s the thing about this brand of punk; it’s simple, easy to listen to and when done right, it’s hard to forget. 

You can stream and purchase the album digitally below:-

Schedule 1 - https://www.instagram.com/schedule1.vhs/

You can pick up vinyl copies from Dirt Cult Records here:-

https://dirt-cult-records.myshopify.com/products/schedule-1-schedule-1-12

Dirt Cult Records - https://www.facebook.com/dirtcultrecords