Alltar - Live At Ceremony Of Sludge

Labels: Monochord Records

Formats: CD/Digital

Release Date: 12 Feb 2021

Tracklist: 

1. Intro

2. Arcana

3. Interlude

4. War Altar

5. Ceremony Of Sludge

6. Cantillate

If you'd have said to me that the second 2021 release I'd be featuring on here would be a live album, I would have said "I can't remember the last live album I featured". In fact, I don't think I've ever featured one (though I may be wrong). This one comes courtesy of Oregon, USA's Alltar and features their set from Ceremony Of Sludge IX, which took place last March in Portland and included sets from Usnea, Brume, Glasghote and Zyl. The set is due for release both digitally and also on CD via Monochord Records in February.

After the short but intrigue-building ‘Intro’, Alltar immediately launches into ‘Arcana’, their first song proper and it’s a progressive, doom-laden masterpiece, which sounds incredible for a live recording. I feel that’s going to be the main theme of this album. I’ve seen Alltar being compared to some of doom metal’s greats and certainly on listening to both the vocals and instrumentation so far, I can see why. They sound remarkably tight as a unit.

After just one full song, they see fit to through in an ‘Interlude’, which seems a little odd though I’d guess their set time probably wasn’t long enough to justify adding another lengthier song into the set. ‘War Altar’ is a heavily instrumental piece that edges further towards post-metal and it’s also got a good chunk of folk within it’s bars. The vocals are atonal when they kick in but soon open up, showing Juan Carlos Caceres’s range much like ‘Arcana’ earlier on. There are brief bursts of harsher vocals later on, which match the bigger riffs but they don’t overpower things and the groove that Alltar possesses wins out in the end.

‘Ceremony Of Sludge’ reminds you that this is a live set, as if it wasn’t for the band’s interaction with the crowd, you wouldn’t have guessed this was live given how good the recoding is. The song itself is a cosmic interlude that leads into Alltar’s closing song ‘Cantillate’ and it’s a great one to end on. Overall, another fine slab of doom/post-metal with some heavier influences thrown in as well. Alltar’s lengthy compositions are really well performed and mature. 

As I said above, this release feels a little short on full songs, but Alltar only had limited time to play with so that’s to be forgiven. What they have done though is to really put themselves in a position of strength where they can get noticed by a whole host of new listeners and fans of heavy music. This is great.

You can stream 'War Altar' prior to release below, where the album is available for both digital and physical pre-order:-

Alltar - https://www.facebook.com/ALLTAR.PDX

Monochord Records - https://www.facebook.com/monochordrecords

GRYSCL - Heaven Knows

 

Labels: Self-Released/Zegema Beach Records

Formats: Digital/Lathe

Release Date: 26 Jan 2014/26 Nov 2014

Tracklist:

1. Cassidy

2. Tulip

I promise that by next week I'll have some more 2021 release reviews up on here. Until then though, you'll have to do with music that's come before. I'm starting as I mean to go on by posting a new ZBR roster review in the first full week of the year. This one features the long sold out two-song lathe cut 7" from Memphis, Tennessee (USA) screamo band GRYSCL (also known as Greyscale). 

Today’s been a super weird end to the week. We've had quite heavy snow (for the UK) and I was able to finish work early. It left me in a bit of a celebratory mood until I had to run errands and then walking through the snow tired me out (because we’re not used to it). That being said, I was always going to write about something this evening and that something has ended up being the 2014 two-track release by US screamo band GRYSCL. 

Heaven Knows was released in very limited physical numbers and that’s a pity. EP opener ‘Cassidy’ is a mathy/jangly post-hardcore/screamo song with plenty of caustic energy and abrasive vocals. That’s quite hard to type when I’ve cracked open a weekend beer or two, but I’ve managed it!. That said, GRYSCL seem to have their instrumentation down to a tee and it’s very dreamy, while being explosive at the same time.

‘Tulip’ may sound like a Blink-182 era pop-punk song to begin with but don’t let that tone fool you, it’s anything but as GRYSCL injects off-kilter rhythms and riffs into their music. It’s wholly instrumental for the majority but it builds in volume and layers throughout, leading you to something much more. The spoken word vocals explode into screams and in doing so, carry a lot of emotion as well. The fact that their songs are also lengthier helps to paint a true picture, that gets brighter with every listen.

Okay so this release is over seven years old now but that doesn’t matter one bit. What matters is that music like this exists and bands like GRYSCL made it. Now more than even, music is one of the most important art forms we can rely/lean on. Embrace it and you’ll be much happier as a result. 

You can stream Heaven Knows and grab it as a name-your-price download below:-

GRYSCL - https://www.facebook.com/greyscaletn

2020 Year End List: Joe Allen (Kurokuma/Bible Basher)

Here's the second 2020 year end list, this time from Joe Allen of Sheffield based sludge/doom bands Kurokuma and Bible Basher. As with Mikey previously, Joe's got a much more eclectic taste in music than I have. His year end list; however, is very much focused on heavier music and it's a great read. Check out it out below and my thanks go out to Joe for sending this across for me to publish:-

Ummon by Slift

Coming out in February, as soon as I heard this I knew it would be one of the best things all year, and here it is sitting pretty on my list. This is superb, playful psychedelic rock from the power trio from France. One of those releases where each song is a unique creation in its own right but the flow and overall feel of the album is unified. The cover art is also spectacular and vibes perfectly with the tunes. I can see this becoming a cult classic in years to come.

Endless Detainment by Serpent Column

One to rearrange your head when you're in the mood. The drummer snakes in and out of time and the whole band coalesce around this; it's not rhythm but absolute chaos. There's not too much else like it, but its soul is black metal; it's truly evil and rabid. When the release crescendos around the titular track, you're rewarded with one of the hardest riffs of the year, confidently hammering itself into your skull like a galvanised nail.

Intermittent Damnation by Ona Snop

Slick Leeds fastcore from the guys with the primary colour logo. This band don't look serious, but the music is seriously good. Catchy, pit-friendly riffs that mostly last for 4 seconds interspersed with blast beats and vocals that are tortured/fun. It's great. Mosh and smile at the same time. Makes one long for gigs to come back.

Lesions Of A Different Kind by Undeath

The OSDM revival is in full swing, emphasis on the swing - this album grooves. The production pops hard and it's all kinda danceable to be honest. The title track opens with a rototom fill, then drops into a riff that has insane energy and drive. The guttural vocals never let up. Backed by the Maggot Stomp label as well as Prosthetic, these guys have been everywhere this year and for good reason.

Opulent Decay by Spell

I came to this band via For None And All released in 2016; reverb-soaked occult rock à la Blue Oyster Cult with touches of Rush and Hammers of Misfortune. The production is vintage and the playing not what you'd call tight, but it creates an amazing fluid/lucid feel. The riffs often feel straight out of the 70s, and I fully appreciate how spot on the artwork is. Also the way the tracks don't stick to just one style - the accapella ‘Ataraxia’ is one great example of that. Love it.

Terminus by Jesu

Justin K Broadrick has always been a genius but by now he's a master. His music bleeds feeling, strong and direct. Every instrument and effect wielded like an artist at the height of his powers. Jesu takes the emotion and effects/electronic manipulation of shoegaze and adds dashes of the low-end of metal - some might call it doomgaze. Another collection of songs from Justin to get lost in; simply luscious escapism.

Mercy Machine by Maggot Heart

I was a big fan of this band's previous LP, Dusk To Dusk from 2018, and for some reason I missed this at its time of release. Via social media I realised it existed more recently and it's very similar to that previous album, but I'm not complaining one bit. Post punk mixed with old school heavy metal, fronted by the snarling vocals of Linnéa Olsson. She's been around the gig circuit for a while now, and it shows. Maggot Heart drips attitude. Quality through and through.

The Great Flood by Rope Sect

Love this band. Melodic death rock from Germany that's gothy and post-punky in parts. The production is restrained, using distortion minimally, for example. The result is a natural sound with a ruggedness and haunting ambience. There's a real depth and mystery here than many projects lack. A cult band that seem to be growing with each release and it's great to see.

Your Fault by Horse the Band

I have waited for over a decade for new material from Horse the Band, and listening to this EP it's like they never went away. Their music and lyrics resonate at a level far beyond pretty much anything else for me. Part of it is the history and the nostalgia I have with and for them and the hours and hours I've spent watching Earth Tour. This band mock anything other than true expression. Wild, experimental, synth-driven metalcore that's daft and deadly serious at the same time. This EP has whetted my appetite for more from them once again.

Training Resource #5 by Under

Another EP, and much like the above EP on this list, it feels almost like it mocks the listener through its confidence, talent and vision. Under are easily one of the most underrated bands operating in the UK, a true hidden gem. Their music exists outside of trends, obtuse but extremely rewarding. The angular sludge is maintained here, but with raw production from guitarist, Simon Mayo and a Black Flag cover, this has a hardcore punk instinct. It's what punk might sound like if it was played by truly talented musicians letting loose, and I love it.

Tripping The Mechanism - To The Moth, I Am The Sun 7" (Mikey Ortega)

Label: Self-Released

Format: 7” Vinyl/Digital

Release Date: 06 Jan 19

Tracklist:

1. Dorian Grey

2. Horns

When it comes to the South and extreme music, South Carolina doesn’t come up that much in conversations. We always hear about the NOLA scene and the influence it made to underground music scene and of course the noise brewing down in Georgia (the State that brought us Kylesa and Mastodon). But after hearing what the Palmetto State have been unleashing, I would say that South Carolina have now become heavy contenders. One of those bands that are laying waste is three-piece called Tripping The Mechanism.

To The Moth, I Am The Sun is a two-track 7” that was released back in 2018 and it sure packs punch. It opens up with ‘Dorian Grey’, which is a catchy tune with a killer riff to rock out. It has an early-90’s vibe with a sludgy tone. Then come ‘Horns’, which is the heavier of the two. Just a raw and grimy track for those who like it extreme.

If you’re familiar with Tripping The Mechanism’s other work, then you know how much they kick arse. If you haven’t, then prepare to enter Holy City Hell. With To The Moth, I Am The Sun, TTM continue to kill it. With the way they compose their music, it always hooks me and makes me want more. The 7” should still be available, so grab it before it’s gone, especially if you’re a collector. For fans of Sludge and Doom, you won’t be disappointed.

You can stream and purchase the 7' from Tripping The Mechanism below:-

Tripping The Mechanism - https://www.facebook.com/TrippingtheMechanism/

Tantivy - Eyes In The Night EP

Labels: Self-Released

Formats: Digital

Release Date: 15 Jan 2021

Tracklist:

1. I Am The Wolf

2. Cut 'Em Loose

3. Daggers

4. Houndin' Ya

5. Nowhere

I sit down to right this first review of 2021 full of optimism about the year ahead but also annoyance, because I'm still not on top of my goddamn inbox (first world problems!). This is the debut EP from Wisconsin (USA) traditional heavy metal/thrash metal duo Tantivy, which is set for official release on January 15th. It was recorded by Elliot Lozier and mixed/mastered by Haunt mastermind Trevor William Church. The press releases comparisons to the likes of 3 Inches Of Blood, early-Metallics, Judas Priest and Toxic Holocaust really got my attention, so let's see if the music does.

Aside from the bands I mentioned above, there’s a great amount of other influences in Tantivy’s own brand of traditional heavy/speed metal. ‘I Am The Wolf’ sounds like it was taken straight from the Motorhead album outtake archives and that’s not a criticism at all. Definite 3 Inches Of Blood leanings to which is great. The duo, made up of vocalist/guitarist/bassist Adam Geurink and drummer Jon Zimick certainly have the chops early on.

‘Cut ‘Em Loose’ is a lot more bluesy and definitely more on the traditional heavy metal end of the spectrum for the most part. The tempos do pick up at times and there are some great vocal theatrics going on as well. The instrumentation is surprisingly tight for a debut release, but both members have been involved in bands before so that’s not a surprise.

Third song ‘Daggers’ underlines the catchiness of Eyes In The Night and signals the mid-point of the EP. The songs here are not too long and keep up really strong momentum throughout, which is pleasing. There are no elements of power metal within either the music or the vocals, which is what I was slightly afraid of at first sight, though I know that there is a lot of crossover between that sub-genre and traditional heavy metal. Maybe I should just finally embrace power metal!

Solos are right up in your face on ‘Houndin’ Ya’, with vocals that are both melodic and rasping, bass that gallops and drumming that binds it all together. After an xmas period of cheesy classics and other pop detritus, this is exactly what the doctor ordered. If a full lockdown gets called tonight and I end up on furlough, I’ll be jamming this loud to help get me through.

EP closer ‘Nowhere’ is the perfect way to end Eyes In The Night. It’s as rip-roaring as when this EP started and just goes to show how infectious Tantivy is and surely will be, as they release more music. Despite all of the sub-genres that it spawned, heavy metal itself is growing at a huge rate now more than ever and this EP shows why. If you’re crossing over from more mainstream pop/rock, then bands like Tantivy will be a great place for you to start.

You can stream the EP's first two tracks prior to it's full release below, where you can also pre-order it:-

Tantivy - https://www.facebook.com/tantivyrocknroll

2020 Year End List: Mikey Ortega (Diclonious/This Noise Is Ours Contributor)

2020 was supposed to be a special year since we were to enter a new decade.  And with a new decade – comes a new sound. A new sound that will define a generation just like New Wave in the 80’s and Grunge in the 90’s.  It was also a year where some of our past favorites were releasing new music and continuing to melt our faces. Even though 2020 has been considered a terrible year for music (and film), it was great to see fans coming together to support their favorite artist. Because of the pandemic, everything was shutdown. Gathering in big crowds was prohibited. And because of that, a lot of bands had to cancel tours and festivals. So now a lot of independent artist had to figure a way to promote their new albums, without the need for tour support. Most did a lot of live streaming with sets that have a very – creative sets. Some venues like DiPiazza’s, have live music for their outdoor dining. And of course, you got your drive-in concerts. Also, you can’t forget Bandcamp waiving off their cut of sales every 1^st Friday. This year it was tough to compile this list as I felt any of these albums could have been #1. But after listening 2-3 more times, I feel like I made the right choice. 

So, anyhoo – I present to you my Top 10 Albums of 2020. Hope some of you will check out these albums, as I feel like they made a huge impression this year.

 #10. 5 R V L N 5 - THE BLACK MARK

5 R V L N 5 (pronounce Surveillance) were definitely a band that came out of nowhere.  Their debut, THE BLACK MARK, is a release that pummels you with it’s heavy industrial sound. “Flesh” is probably one of the most well-written songs I heard this year. To best describe the EP, it is dark, heavy, atmospheric, ugly, beautiful, mesmerizing and apocalyptic.

 

#9. MIDWIFE – FOREVER

 

FOREVER by Midwife is definitely an album that will catch you in the feels. The guitar tone and chords that Madeline Johnston uses really has a way to captures you. It’s an album that really makes you open up and let the music in.

#8. DUNWICH – TAILED-TIED HEARTS

 

TAILED-TIED HEARTS is the debut album from Russia’s Dunwich, and it’s definitely an album that will leave an impression on you. The band combines Goth, Doom and Psychedelic with a very fresh and unique sound. Margarita’s vocal range is very impressive. And Anton not only can pull out some riffs, but really rips it up with the organ and synth. Hopefully, this is what the new 20’s will bring us. 

#7. HIGH PRIESTESS – CASTING THE CIRCLE

 

If you couldn’t get enough of High Priestess’ debut S/T album, then you’re in for a treat with CASTING THE CIRCLE. With their 2^nd album, High Priestess take their psychedelic-doom to another trip. With this album, I really feel that they’ve become much tighter and a force to be reckoned with.

#6. OLD BLOOD – ACID DOOM

Since the announcement of the new singer, Lynx, ACID DOOM has been an album I’ve been anticipating for a while. Of course we were able to get a taste with last year’s BLOOD FEATHER. But when ACID DOOM came out, it totally filled my appetite. ACID DOOM is a really killer psychedelic-doom record with lots and lots of sass.  And I mean SASS!!!!!!!!! 

#5. MARTHE – SISTERS OF DARKNESS

Caligari Records scored huge with this release by Italy’s Marthe. SISTERS OF DARKNESS is very raw and in-your-face (which is how I love most of my music). When the first track “Sisters Of Darkness) begins, you pretty much know what you’re getting into. Killer riffs and a vocalist that can take charge. Marthe is definitely a project you want to keep an eye on. 

#4. BLACKLAB – ABYSS

 

If there’s anything to learn from 2018’s UNDER THE STRAWBERRY MOON, it’s that BlackLab are not to be fucked with. With their 2^nd album, ABYSS, BlackLab continue to crush our eardrums and bring down the apocalypse. ABYSS is a perfect follow-up to UNDER THE STRAWBERRY MOON with it’s heavy tone and punishing riffs. The duo just plow through the speakers with no fucks to give. Definitely one of the best doom records of 2020.

#3. BONE HAUS – BONE HAUS EP

 

Upon hearing “Cutthroat”, you just knew there was something special about Bone Haus.  They have an attitude that you don’t come across very often. And it’s because of that, is why I’m a huge fan of the EP. Their range is also impressive with songs like “Haywire”, which is pretty high energy, to a song like “Restless Blues”, which is more mellow. If you’re looking for something that’s really rock’n, then give this EP a listen.

#2. SPECIAL INTEREST – THE PASSION OF

 

Don’t know how Special Interest got past my radar, but I’m glad I was able to find them, right when they released their new album, THE PASSION OF. This album is just a killer blend of noise rock, post-punk, electronic and avant-garde. It’s a wild album and you just can’t help it, but lose yourself to the music. For sure put this in your car and turn the volume all the way up. 

#1. ROSY FINCH – SCARLET

 

If there was one album that grabbed me by the balls and kicked my arse this year, it would be SCARLET by Rosy Finch.  Just looking at the album cover, you knew that it was gonna melt your face. From “Oxblood” to “Black Cherry”, SCARLET is a powerhouse album with some bad arse riffs and a good time. If this album came out in the 90’s, you know it will be praised as a classic and a lot of bands will be following in the footsteps of Rosy Finch.  Their blend of grunge and sludge is pretty solid and makes them really stand out. I really don’t know how much I can praise this album, but I know that SCARLET was the album I needed to get me through 2020.

I just want to say thanks to Mikey for allowing me to publish his list here. There will be another list coming soon and if you want to submit your's for inclusion on the blog, there's still time. Also, I've deliberately left out social media links for the above bands, so go and explore/discover for yourselves!

The Owl - Odyssey One

Labels: Self-Released

Formats: None Yet

Release Date: Unreleased

Tracklist:

1. Ascend (And Keep Going)

2. Descend (The Rise Again)

I've been spending the last few days (as many of you have) with family. That time has allowed me to reset and also to get a couple of things done. At the time of writing this, there have already been 120 reviews published on the blog this year. Not the most that's ever been published, but I'm proud nonetheless. I'm also in the process of working out how many individual bands I've reviewed since the blog began. A large task that I've almost completed.

Aside from all of that though, the urge to finish of 2020 with one review (or maybe two by the time New Year's Eve hits) was too much, so here I am writing about something that hasn't even officially been released yet (that's scheduled for January all being well). It comes from Leeds based entity The Owl and it was sent to me in the form of a promo CD when I ordered the latest DIY release from OwlRipper Productions, containing two doom songs. Rumour has it that this release may become part of a wider series from the band in the future as well. 

As you may know, The Owl is a solo-project and a pretty prolific one at that. Odyssey One sees the project venturing into the desolate realms of doom metal via noise and percussion. Being a more than proficient bass player helps The Owl build the sometimes harrowing soundscapes that sit within it’s music and that description is accurate on this EP’s first song ‘Ascend (And Keep Going)’. This isn’t your groovy, friendly, melodic type of doom metal. Instead it’s the noisy and nightmarish kind, championed by the likes of Primitive Man, Meth Drinker (RIP) and Sunn0))) minus the vocals. Those are all fairly predictable comparisons if you know me but given the low-end heft and sheer length of the song, I stand by them. Talking of the song length, nearly eighteen minutes is definitely enough time for you to get truly lost in it and if like me, you’re waiting for the supposed snow that’s due to fall later tonight it’s the perfect way to get in the mood.

Second song ‘Descend (The Rise Again)’ is considerably shorter but even weirder thanks to the addition of vocoder-style spoken word at it’s beginning that leads the way to what becomes several layers of building, haunting doom/noise. You think the volume’s just gonna keep rising but alas, it settles before itself descending. Very subtle treble nestles within the feedback here and as quickly as the song started, it ends. I didn’t want to end this paragraph so abruptly so in synopsis, this little EP is a very promising sign of things to come from The Owl and if it indeed does go onto form part of a series of similar releases, I for one will be waiting in anticipation. This project is one that’s screaming out for all kinds of collaborations, so hopefully that will become a thing when the world’s not as crazy as it is now. Until then, bury yourself in The Owl’s myriad of sonic offerings and await further news on the release on Odyssey One.

A short teaser for the release can be found below:-

You can stream and download the rest of The Owl's catalogue here - https://theowl.bandcamp.com/.

The Owl - https://www.facebook.com/theowlsounds

Vi Som Alskade Varandra Sa Mycket - Den Sorgligaste Musiken I Världen

Labels: Blood Of The Young/Zegema Beach Records/Moment Of Collapse

Formats: Vinyl/CD/Digital

Release Date: 06 Oct 2014

Tracklist:

1. Leva Som Sno

2. Det Liv Vi Ville Ha Var Inte Det Vi Fick

3. Storm Och Längtan

4. Vi Gar Och Gar Och Har Sonder

5. Ett Hjartats Svedjebruk

6. Alfa Och Omega

7. Vi Som Forsvann

8. Illusionen Om Oss

This review has been a little delayed (though some would say a lot delayed, as it the record it focuses on was released way back in 2014). Either way, my slow march through the Zegema Beach Records roster continues and today I'm writing about the first full-length from Sweden's Vi Som Alskade Varandra Sa Mycket, which was released on vinyl by both Canadian label Blood Of The Young and the aforementioned ZBR (who may have been located in New Zealand at the time, though I'm not quite sure about that fact), as well as on CD by Moment Of Collapse.

Today marks part one of my two part Christmas break, which is much needed if a bit short. Things still aren’t normal here, as with everywhere but I’m just going to try and make the best of it. Obviously, things are always better with music and the melodic post-hardcore of Vi Som… is exactly what’s needed. Opening song ‘Leva Som Sno’ is very atmospheric when set against the gloomy backdrop outside my window. While the vocals are screamed in Swedish, they’re not crazy and the instrumentation flows and builds nicely. Even after they mid-way point when the volume increases, it stays atmospheric. Amazing emotional post-hardcore so far. Given that we’re in a time where it’s difficult to spend time with loved ones, this album really ramps up your own emotions, while the stillness and calm created by ‘Det Liv Vi Ville Ha Var Inte Det Vi Fick’ is palpable, even when the dissonance and vocals kick in. It’s more akin to a shoegaze-like song instrumentally as it draws you in with every bar and note. 

It’s impossible to type over the top of such great music but I have to carry on. ‘Storm Och Langtan’ goes through various movements, ranging from the quiet building intro, to heavier parts and catchy, upbeat verses. Despite it being nearly six-minutes in length, it goes by very quickly for a mid-tempo song. This album may be an example of a band in their infancy but it doesn’t sound like it. It’s very assured and mature. This review has been written in two sittings, as I’ve not quite been in the right frame of mind to write today but ‘Vi Gar Och Gar Och Gar Sonder’  has done enough to lift me up again. For some reason the screams are all the more heart-wrenching now and the music also, which somehow seems to magnify the frailties of our own mind. 

It’s actually quite amazing how differently you interpret music based on your mood. ‘Ett Hjartats Svedjebruk’ begins as a slightly mournful piece before melody lifts it up and it becomes lighter, albeit for a moment anyway. It slows again during the mid-section, before picking up again just when you thought it had ventured further down. It’s these rollercoasters that give Vi Som’s… music such feeling. ‘Alfa Och Omega’ has a totally different feel to it. A more upbeat and punchier one from the get go. Even when everything tempers down and settles into something more stripped back, it still produces a ray of light that justifies its shorter playing time. There’s all kinds of debates on social media about whether this sort of music should be classed as hardcore, screamo or emo at the moment. I don’t care what it’s called really. It doesn’t matter as long as sounds this good.

There are elements of both La Dispute (specifically, maybe?) and black metal flowing through penultimate song ‘Vi Som Forsvann’. Those elements make it a really endearing listen. My earlier comparison may seem a but random but if you give it the time, you’ll understand why. Vi Som… uses album closer ‘Illusionen Om Oss’ as a bit of a wake up call, with probably their most dissonant and feedback-laden song on Den Sorgligaste Musiken I Varlden. Said feedback gives it a sense of chaos, alongside the mix of time-signatures, percussion and passionate screams. Above all though, there’s the realisation that this album is more than just the some of it’s parts and indeed, so is Vi Som… 

This album is exactly why I love digging back into the early careers of bands and why this review series exists. Please, spend some time with this and If you want to, please tell me how it makes you feel. I’m sure it’ll be a story worth telling.

You can stream and purchase the album digitally below:-

Vi Som Alskade Varandra Sa Mycket - https://www.facebook.com/visomalskade

You can buy physical copies from the labels below:-

Moment Of Collapse Records - CD - https://kollektif.eu/screamoemo/51187-vi-som-alskade-varandra-sa-mycket-den-sorgaligaste-musiken-i-varlden-cd.html

Moment Of Collapse Records - vinyl - https://kollektif.eu/screamoemo/50318-vi-som-alskade-varandra-sa-mycket-den-sorgaligaste-musiken-i-varlden-lp.html

Blood Of The Young Records - https://www.facebook.com/BloodOfTheYoungRecordsPress

Zegema Beach Records - https://www.facebook.com/zegemabeachrecords

Moment Of Collapse Records - https://www.facebook.com/momentofcollapse