Blue Youth - Defeatist

Labels: Grind Central Records/The Ghost Is Clear Records/Zegema Beach Records

Formats: Vinyl/Digital

Release Date: 15 Apr 2025

Tracklist:

1. Defeatist

2. T.K.Y.I.T.H.Y

3. Patient Patient

4. Lost, Spinning In Time

5. Modern Lover

6. Hell Is Empty

7. Redacted

8. JLB

9. Two Faces

10. These Hands

Canadian noise-rock/post-hardcore/punk band Blue Youth released their newest album Defeatist last month. It comes almost seven years on from their previous album Dead Forever. We're honestly being truly spoiled this year with new releases, including from bands that seemed forever dormant. I could others that I'm excited about but I don't want to draw attention away from this album. I'm hoping that the trio's sound still features the catchy rock/noise-rock sensibilities of previous releases.

I’m writing this in a very sleep-deprived state. My sleep pattern has been all over the place for the past few days and I swear (to whatever non-religious, free-thinking idol) that my neighbours aren’t helping by slamming every door they have at lest twice it seems. I’m just venting though and it’s distracting me from another banger of an album. Seeing both the album/song title ‘Defeatist’ instantly makes me think of Hatebreed, but that’s just weird brain stuff as Blue Youth are a world away sound and attitude-wise. 

Yes, they’re heavy but in a discordant/noisy way, as opposed to a youth crew/tough guy hardcore way (if you get what I mean). ‘Defeatist’ is a slow burner to start, with a mix of semi-clean vox/harsh screams, off-kilter instrumentation and odd melodic/dissonant guitar/bass. I say odd because I don’t really know how else to describe it. As openers go it definitely grabs the attention.

’T.K.Y.I.T.H.Y.’ sees Blue Youth heading in the opposite direction and delivering some excellent and genuine noise-rock that conjures up a whole mix of different bands, whom I’ve probably compared them to in previous reviews. I’m thinking of the likes of The Hives, The Bronx, Refused and also Franz Ferdinand (for their melody not their penchant for indie/post-punk). Comparing bands to other bands isn’t going to win me any awards I know, as it’s all subjective.

There’s a certain guitar sound that really hits the spot during ‘Patient Patient’ and I’m not sure why it does. Maybe it’s because I’ve spent too long in my late teens/early 20’s listening to some of Blue Youth’s compatriots. This song does sound way more rooted in post-hardcore and could even be a slight nod to nu-metal of old, maybe?. Sorry, the nu-metal reference was meant in the best way as this song it genuinely killer!

Damn, I might have to trim this review back a bit as I’m already four paragraphs deep and only three songs in! ‘Lost, Spinning In Time’ is a quick one though, with minimalist guitar, bass and drums meaning that it acts as a kind of instrumental/interlude leading into ‘Modern Lover’, which uses more noise elements alongside it’s danceable rock. If ever there was a song that highlighted Blue Youth’s breadth of song-writing delivery; this is it.

Another instrumental song is ‘Hell Is Empty’, which has a subtle hint of groove and (almost) stoner too it. Again it’s a short one but it’s filled with psych, which spills over into ‘Redacted’. Blue Youth occasionally turn towards weirder riffs on Defeatist and that’s no bad thing at all, especially when standing up alongside their noisier post-hardcore. Everything just fits together perfectly.

‘JLB’ gives off ambient, slightly unnerving vibes as it ushers in the closing section of the album. It’s gentle guitar fades and gives way to ‘Two Faces’ with an instantly more jarring demeanour. Blue Youth once again find their true loud pedal. Exactly on the money at three minutes, it’s a mainstream radio station’s/record label’s dream. Secretly, I hope they don’t get sucked up into that vacuum (though they deserve any and all success that comes their way!).

Album closer ‘These Hands’ sounds like a Brit-rock/pop song at times, but only as it kicks off (and probably only in my head!) as it’s a lot harder and heavier later on. It carries on in that heavier vein for a bit before dropping into a slightly introspective mid-section that then builds in layers again, getting louder right up to the inevitable end. 

As I reflect on listening to this album in it’s entirety, I have no regrets about the eight paragraphs above. Blue Youth have come back with an album that’s beyond excellent and beyond expectation. If that’s not worth talking about then I give up.

You can stream and purchase Defeatist digitally from Blue Youth below:-

The Grind Central Records website doesn't seem to be working properly currently, but you can grab physical copies of the album from the labels below:-

The Ghost Is Clear Records - https://theghostisclearrecords.limitedrun.com/products/866551-blue-youth-defeatist

Zegema Beach Records CAN/INTL - http://www.zegemabeachrecords.com/zegema-beach-releases/defeatist / USA - https://zbrusa.com/collections/zbr-releases/products/defeatist

Blue Youth - https://www.facebook.com/blueyouthsk

Grind Central Records - https://www.facebook.com/grindcentralrecords

The Ghost Is Clear Records - https://www.facebook.com/TGICRECS

Zegema Beach Records - https://www.facebook.com/zegemabeachrecords

Pariah - Violence Is A Curse

Labels: Cursed Monk Records

Formats: Vinyl/CD/Digital

Release Date: 28 Feb 2025

Tracklist: 

1. Life/Redemption

2. Parasite's Refrain

3. Within My Skin

4. Endless Circles

5. The Swarm

Fifteen years into this blog and it feels like I've moved further away from what I started. Heavy music in the UK was the backbone and discovering new bands was the purpose. Life gets in the way though and there isn't a day that goes by where I don't long for the connections I had and the visceral emotions I felt at gigs/festivals. 

This all leads me to Pariah. A quartet of musicians that released their debut record in February. A band that both benefits from and adds to the rich history of the UK scene. They released five honest, crushing songs via Cursed Monk Records, who in turn is a proud supporter of UK heavy music.

Pariah’s sound is mired in unnerving noise and heavy metallic hardcore, reminiscent of what used to come out of the CoF stable back in the day. ‘Life/Redemption’ is filled with chunky riffs, shattering percussion/bass and bile-filled vocals. The song’s tone and atmosphere highlights a lot of anger and that emotion spills into ‘Parasite’s Refrain’, which leaves the band’s sludgier/slower tempo behind in favour of faster metallic hardcore. Frantic and brilliant.

‘Within my Skin’ is filled with palpable intensity and energy. Pariah’s metallic sound shines through again here, alongside a gnarlier aggressive edge. The switch between nastier, slower songs and those that are much faster keeps anticipation levels up as ‘Endless Circles’ (despite the name) sees the quartet going about their business in succinct fashion. Closing with ‘The Swarm’, Pariah level everything and everyone with sheer heaviness. It’s sound is in some ways familiar but also refreshing too. 

This EP has been moulded from a blueprint that was forged by Northern England’s heavy music community. A wide network of people, bands and gig promoters that support each other. With the return of revered UK festival Ghostfest this year, Leeds venue Boom rising like a Phoenix out of almost nowhere and of course Pariah (with help of co-conspirators Cursed Monk Records), there’s plenty of reasons to be excited.

You can stream and purchase Violence Is A Curse on physical/digital formats from Pariah below:-

It's also available to buy on vinyl from Cursed Monk Records here:-

https://cursedmonk.bandcamp.com/merch. 

No news on CD copies (unless I've missed an announcement) but keep an eye on the band/label pages below:-

Pariah Instagram - @pariahnoise

Cursed Monk Records - https://www.facebook.com/cursedmonk

ANDTHECANARYFELL - Alluvium (feat. Gabe Reasoner) Premiere

May 26th (next Monday) will see the release of the new EP As The Ice Melts by Minnesota, US emotional hardcore band ANDTHECANARYFELL. It's being released as a run of 81 tapes via Tomb Tree and this evening It's my pleasure to be able to premiere the song 'Alluvium', which features Gabe Reasoner (of fellow Minnesota band Careful Gaze, if my intense last-minute Googling is correct!). 

You can stream the song on YouTube below:-

ANDTHECANARYFELL were kind enough to provide some insight into the song and the EP as well:-

“ 'Alluvium' is the fourth track off our upcoming EP 'As The Ice Melts'. Each song on the EP can be interpreted as a different perspective of an apocalyptic scenario. One interpretation of 'Alluvium' can be the way flora and fauna succumb to a disaster, but there are many human layers to the lyrics, as well. This is also the first atcf song that musically starts with fierce intensity rather than a crescendoing intro."

I’m not going to give too much away about the full EP, but what I can say is that it’s going to surprise you a lot with it’s atmosphere and downtempo heaviness, while at times sounding resolutely upbeat. ‘Alluvium’ itself as a song has a more blackened-hardcore/emoviolence sound going on, though ANDTHECANARYFELL close it out with more grandiose heaviness.

Keep your eyes peeled for incoming pictures of the tapes from Tomb Tree on Instagram at @_tomb_tree_. 

Also, keep up to date with ANDTHECANARYFELL here - https://linktr.ee/andthecanaryfell.

Physical tape copies will be available on May 26th via ZBR/Tomb Tree's web stores below:-

CAN/INTL - http://www.zegemabeachrecords.com/tomb-tree-tapes

USA - https://zbrusa.com/collections/tapes

Replicant - Hypochondria of the Machine 7"

Labels: Self-Released/Transcending Obscurity Records

Formats: Digital/Vinyl

Release Date: 20 Dec 2019/21 Jan 2025

Tracklist:

1. Hymns of Distress

2. Limbic Thrust

I decided to reach for something a little shorter this evening. I initially thought this two-song EP from US tech-death band Replicant was a fully fledged 2025 release until I dug deeper. It was originally self-released digitally by the band back in late 2019 and Transcending Obscurity Records elected to give it it's first physical release in January. The time and care that's going into re-issuing older material now is great to see. Bands and labels are really upping their game in that regard, with this 7" being no exception.

I fear this release will send me down yet another musical rabbit hole and honestly, I’m here for it! ‘Hymns of Distress’ is brimming with avant-garde yet ferocious modern death metal. It’s blasting percussion and thunderous bass are matched by the guitar, with it’s sometimes metallic/sometimes downtempo riffing. The vocals have an old-school guttural sound (from a time before pig squeals). 

‘Limbic Thrust’ is a couple of minutes shorter than the EP’s opener but that’s fine because Replicant choose to slow down the tempo (albeit subtly), providing a song that’s surprisingly catchy and memorable as a result. I can completely see why Transcending Obscurity chose to give this a vinyl release. It’s a great introduction to Replicant for those unfamiliar.

I’ve read comments by people saying that this EP is too short. I would agree if it wasn’t for that fact that it’s songs are of the highest quality. This is your cue to go and seek out their releases new (and old).

You can stream and purchase this EP digitally from Replicant below:-

Physical 7" copies and various other merch items/bundles can be purchased from Replicant/Transcending Obscurity Records here - https://replicantband.bandcamp.com/album/hypochondria-of-the-machine

Replicant - https://www.facebook.com/replicantnj

Transcending Obscurity Records - https://www.facebook.com/transcendingobscurityrecords

dagerman. - tragedie | VIVERE

Labels: Self-Released/Zegema Beach Records

Formats: Digital/Vinyl

Release Date: 24 Oct 2024

Tracklist:

1. luogo | PROGETTARE

2. inquietudine | SUBLIMARE

3. oggetto | PRODURRE

4. attesa | ESISTERE

5. niente | AVERE

6. direzione | OPPORRE

7. equazione | AMARE

8. domande | FINIRE

Somehow, we're made it to the month of May already. Being in the fifth month of 2025 isn't really that significant except for the fact that new Italian band dagerman. is also the fifth Italian band I have featured here this year. It all started with the exceptional instrumental/progressive guitar work of Federico Favaro, followed by the black/death/doom of both Malauriu and Sinoath, as well as more recently the epic post-hardcore of Chivala. tragedie | VIVERE was digitally released by dagerman. last October and just over a month ago it was given the vinyl treatment by Zegema Beach Records.  

Honestly, I’m going through one of those phases where I want to write/don’t want to write/am feeling overwhelmed by the sheer amount of music there is to write about. I need to get back in the saddle though and what better way to do it than with another fantastic Italian band. If you’re familiar with Zegema Beach Records (and by now you should be!), you’ll know roughly what to expect. dagerman. starts tragedie | VIVERE with ‘luogo | PROGETTARE’ and it’s every bit as dramatic as promised. An emotive mix of striking Italian lyricism and off-kilter post-hardcore that’s much slower in tempo than usual (at least on initial listen).

‘inquietudine | SUBLIMARE” is the perfect coming together of both frenetic screamo/emo-violence and abject beauty. Poetically delivered vocally, as the instrumentation behind crashes, stomps and captivates with dramatic melodies, it embraces you. There’s more obvious urgency as the release progresses and ‘oggetto | PRODURRE’ embodies that urgency with yet more heart-on-the-sleeve passion, coupled with passages of raging intensity. As it ends, it draws out the frustration I’ve felt over the last couple of weeks.

‘attesa | ESISTERE’ starts off with the most unexpected panic-induced riff. It immediately lights a fire in both dagerman. and in myself, as the song flows from off-kilter mathiness to groovy punk and back in the blink of an eye. It’s the aural equivalent of a kick up the arse and it’s brilliant! After that moment of chaos, ‘niente | AVERE’ comes into view like a beacon of calm but don’t let that intro section fool you. It’s not long before dagerman. flip the switch in favour of a solid mix of epic post-hardcore and constantly shifting emo-violence. 

The latter half of tragedie | VIVERE doesn’t change direction as ‘direzione | OPPORRE’ moves through various phases, embracing everything that shapes dagerman.’s sound. The lovely indiemo feel that surrounds you at the start of ‘equazione | AMARE’ is one that should really stick around (it has that La Dispute vibe going on), which isn’t actually that far off as a comparison actually. dagerman. bring the feels here. 

Closing out with ‘domande | FINIRE’, there’s a strange feeling of peace and tranquility amongst the heaviness. Maybe that feeling is subjective because I haven’t been able to properly focus on music recently or because this album cleanses the senses and transcends conscious thought. Either way, it’s a brilliant body of work and another example of how rich Italy’s musical community is.

You can stream and purchase the album as a name-your-price download from dagerman. below:-

Physical copies are available from Zegema Beach Records below:-

CAN/INTL - http://www.zegemabeachrecords.com/zegema-beach-releases/dagerman

USA - https://zbrusa.com/collections/zbr-releases/products/dagerman

dagerman. - https://www.instagram.com/dagerman.band/

Zegema Beach Records - https://bsky.app/profile/zegemabeachrecords.bsky.social

Obsidian Scapes - Obsidian Scapes EP

Labels: Darkness Shall Rise Productions

Formats: Vinyl/Digital

Release Date: 27 Feb 2025

Tracklist:

1. Endless Sea Of Dead Mirrors

2. At My Funeral (Sigh cover)

After a week away, losing track of time and days, I'm feeling truly refreshed. I pretty much ignored all the usual trappings of modern life (where possible), in favour of walking, fresh air and family time. Having a few more days until reality bites again means that I can get back into writing and as it's the 1st of May (well, it was at the time of writing this) there's no better time to do it!

Coming to the end of my current "loose" review schedule means that I get to shine a light on some newer and more obscure bands beginning with German doom/death act Obsidian Scapes. Their debut EP was released back in February via fellow German label Darkness Shall Rise Productions, acting as a precursor to their first full-length album, which is set for release next month. Consisting of an original track called 'Endless Sea Of Dead Mirrors' (that appears on the aforementioned album) and their own take on the song 'At My Funeral', which was originally released by Japanese avant-garde black metal band Sigh.

As cyclical as extreme music is, death metal continues (for now) to take centre stage. Doom in it’s various forms currently dwells in the background, though that may be about to change. Obsidian Scapes are helping to lead the charge for low and slow bands in 2025 and it’s easy to see why. ‘Endless Sea Of Dead Mirrors’ is teeming with downtempo and downtrodden instrumentation, as well as tortured vocals. While slower tempos command a lot of space throughout this song, there’s also a layer of faster musicianship and even some semi-melodic vocals that might remind you of The Blackening-era Machine Head (apologies if my comparison is off here!).

While that original composition from Obsidian Scapes really hits a high bar musically, their cover of ‘At My Funeral’ by Japanese band Sigh was always going to be a tough one to pull off given their English language preference. It works well, especially with the addition of off-kilter tempos and keyboard-like melodies. Honestly, it’s a welcome escape from the constant blasting death metal that’s filling the underground airwaves at the moment.

Obsidian Scapes have set their stall out early and in doing so, they’ve shown how exciting their music is. This is evidence of what’s to come on their debut album. In a time when bands need to differentiate themselves from others, Obsidian Scapes have given themselves an immediate launchpad. Great stuff.

You can stream and purchase the EP digitally via Bandcamp below:-

Obsidian Scapes - https://www.facebook.com/profile

Physical copies can be purchased from Darkness Shall Rise Productions here:- https://darknessshallrise.de/

Darkness Shall Rise Productions - https://www.facebook.com/darknessshallriseproductions

Balefire - Balefire

Labels: Iron Bonehead Productions

Formats: Vinyl/Digital

Release Date: 31 Jan 2025

Tracklist:

1. Black Sun

2. Sands of Gemini

3. Star-born Revolt

4. Barbaric Rebirth

5. Lord of the Red Lands

6. Black Moon

While the finger tries to stay on the pulse, the hand of time does it no favours. That's no ancient proverb, but a way of eluding to the fact that we're already well into April and I'm still trying hopelessly to hang on given the pace of new releases. This debut EP from US death metal band Balefire was released at the end of January via Iron Bonehead Productions, both on vinyl and digital formats. 

Balefire is a duo consisting of bassist Chuck Sherwood (of Incantation, Occumancy, etc) and drummer Xander Bridge (of Eternal, Nuclear Remains and many others). With the EP lasting no longer than fifteen minutes, expect a barrage of intense death, black and thrash metal with plenty of old-school passion.

I’m going on a much needed week away on Friday so this review will be my last for the month (definitely putting quality over quantity!). Brand new barbaric death metal from an equally new US duo as Balefire kick off with ‘Black Sun’, a brooding and artistic intro free from the usual electronic embellishments. It’s incredibly freeing to be able to listen to a band who approach their music with such simplicity. Just drums, vocals and bass (though there may be an additional guitar in there, but I can’t tell for certain). Either way ‘Sands of Gemini’ sounds absolutely fantastic in all it’s satanic death metal glory. 

One thing that’s really refreshing about this release is how precise and short the songs are. ‘Star-born Revolt’ proves exactly that point with a mix of brutal low-end vocals, warp-speed percussive blasts and metallic undertones. Listening to ‘Barbaric Rebirth’ following the Easter Monday passing of the world’s leading (living) religious figure makes complete sense. I’m not religious in the slightest, so knowing that there won’t be a true rebirth is comforting. ‘Barbaric Rebirth’ itself throws you straight into the EP’s latter half with no time for sentiment, as Balefire infuse their death metal with a welcome doom hit.

Talking of doom, the EP’s longest song ‘Lord of the Red Lands’ is filled with it amongst the sewer-laden death metal. Despite the promise of a properly arduous march though, Balefire don’t abandon what they do best and allow their frenetic pace to dominate one final time, as EP closer ‘Black Moon’ leaves you with gut-wrenching vocal effects and unnerving ambience. 

As debut releases go, this is spot on. It contains enough material to get you hooked without being overblown. Just really good death metal filled with black metal intensity and a decent amount of downtempo atmosphere.

You can stream and purchase the EP digitally via Iron Bonehead Productions below:-

This year marks the 30th anniversary of Iron Bonehead Productions, so what better way to celebrate than to pick a physical copy of this EP and/or any of the other exceptional releases from the label via this link - https://shop.ironbonehead.de/

Iron Bonehead Productions - https://www.facebook.com/IronBoneheadProductions

Crossed - Realismo Ausente

Labels: Fireflies Fall/Navalla Discos/Saltamarges/Through Love Records/Zegema Beach Records

Formats: Vinyl/Digital

Release Date: 21 Mar 2025

Tracklist:

1. Ojos Cerrados

2. Vaciar Un Corazón

3. Distrés

4. Monotonia De La Lluvia En La Ventana

5. Cerrojo

6. Carne Atravesada

7. Sentirse Solo

8. Cruz Vertical

9. Cuerpo Distorsionado

10. Realismo Dolor

11. Catedral

I've been in love with Spanish hardcore/metal band Crossed ever since I purchased a copy of their 2022 album Morir from Left Hand Label (which was a co-release with Clever Eagle Records, Pundonor Record and Zegema Beach Records). Following their 2022 split release with Vibora and the 2024 EP Vida Quieta, Crossed return with their newest album Realismo Ausente. For those still unfamiliar, Crossed is made up of members from Boneflower, Descubriendo a Mr Mime and Eros+Massacre.

This album isn’t even a month old yet, so I don’t feel that far behind for once! Self-deprecation aside, Crossed are on an absolute roll. Opener ‘Ojos Cerrados’ fills the speakers (and room) with a screeching, heady mix of twinkly post-hardcore and blackened metal. It acts as an ice-breaker or an initiation if you will as it’s followed by ‘Vaciar Un Corazón’, which is filled with much more intensity and a whole lot of groove too. I for one wasn’t expecting that! The percussion sits a little deeper in the mix, while the bass and guitars ramp up the volume alongside the high-pitched vocals. 

‘Distrés’ opens up yet more sonic avenues on this release, as Crossed manically switch between upbeat punk rhythms and off-kilter signatures that truly blur genre lines. They purposefully ignore the need to write lengthy songs and allow momentum to do it’s thing. ‘Monotonia De La Lluvia En La Ventana’ is another case in point with it’s unnerving feedback and panic-inducing riffs. This song is somewhat different in approach as it relies on spoken-word vocals during the first-half before the band hits top gear once again.

In a time where bands are crossing genres as if they never existed, ‘Cerrojo’ offers no safe haven. Proper core riffs/bass delivered alongside eardrum-bursting screams and upfront drumming amplifies how far Crossed are willing to go for their art. ‘Carne Atravesada’ is filled with the most unnerving noise and screams, it’s easy to forget that this isn’t a noise/ambient black metal release. I mean, it sort of is but not in that sense as it’s got much more to it like the blasting insanity of ’Sentirse Solo’, which comes complete with mathcore-esque panic chords and added post-metal riffs.

The excellent continuation you get on Realismo Ausente doesn’t go unnoticed, The way Crossed uses feedback and natural sounds to bridge gaps between songs works perfectly. ‘Cruz Vertical’ is testament to that as it instantly hits after ’Sentirse Solo’ has seemingly ended, filling the speakers with heavy hardcore and repetition that actually sounds good!. They can do no wrong, as proven by the glorious yet metallic melody that opens ‘Cuerpo Distorsionado’. Those metallic tones make themselves heard throughout the song, while huge stomping riffs and high-pitched shrieks override the senses alongside cymbal-led percussive crashes. 

Penultimate song ‘Realismo Dolor’ both carries on the momentum left by it’s predecessor but also brings the earlier groove back to the forefront of Crossed’s sound, along with the spoken-word/shouted portion of the vocals. Ending with the album’s longest song ‘Catedral’, Crossed treat you to the heaviest piece overall. It contains pretty much everything that this record has to offer sonically, while creating the ultimate soundscape in which to conclude.

Crossed have always been heavy but that term is subjective. Some listeners will consider Morir to be a lot heavier while others will say the same about this album. I’m not looking to draw a proper comparison between the two (though it reads like I am) and I do like to approach records as I find them. Realismo Ausente is a great record filled with so much density. This year is passing by far too quickly, don’t let records like this do the same.

You can stream and purchase the album both digitally and physically from Crossed below:-

Crossed - https://www.facebook.com/crossedxband

You can also buy physical copies from the labels below:-

Fireflies Fall - https://firefliesfall.com/shop/

Navalla Discos - https://navalla.bandcamp.com/merch

Saltamarges - https://saltamarges.bandcamp.com/merch

Through Love Records - https://shop.throughloverec.com/collections/releases

Zegema Beach Records CAN/INTL - http://www.zegemabeachrecords.com/zegema-beach-releases / USA - https://zbrusa.com/collections/all

Fireflies Fall - https://www.facebook.com/firefliesfall

Navalla Discos - https://www.facebook.com/navalladiscos

Saltamarges - https://www.facebook.com/saltamarges

Through Love Records - https://www.facebook.com/ThroughLoveRec

Zegema Beach Records - https://www.facebook.com/zegemabeachrecords

Mutagenic Host - The Diseased Machine

Labels: Dry Cough Records/Gurgling Gore/Memento Mori/Self-Released

Formats: Vinyl/CD/Tape/Digital

Release Date: 03 Jan 2025

Tracklist:

1. Neurological Necrosis

2. Genestealer

3. The Twisted Helix

4. Artificial Harvest of the Obscene

5. Organometallic Assimilation

6. DIRECTIVE:: [kill_on_sight]

7. Incomprehensible Methods of Slaughter

8. S.W.A.R.M (Systematic War Against Restless Machines)

9. Promethean Dusk

10. Rivers Of Grief

As the world was stumbling bleary-eyed into 2025, London death metallers Mutagenic Host unleashed their debut full-length The Diseased Machine. It arrived almost two years on from their first recording The Genotoxic Demo, which was released via Dry Cough Records. Dry Cough worked alongside Gurgling Gore to release this album on both tape and vinyl, while Memento Mori Records committed it to CD and Mutagenic Host self-released it digitally. Little did they know at the time just how crazy the world would get!

Being one of the newest additions to the UK death metal ranks, Mutagenic Host have garnered quite a lot of excitement with their approach to the genre. ‘Neurological Necrosis’ shows why with it’s heavy percussion/bass, core-laden riffs and blood curdling deep bellows. ‘Genestealer’ doffs it’s hat to slam with it’s riffs but fear not, this song is still firmly rooted in the old-school death metal camp. Who says that bands can’t do both, right?

The sinister guitar melodies and tempos that open ‘The Twisted Helix’ soon give way to reveal a careening, thrash-like verse. Soon after, the instrumentation slows back down for the chorus once again, dragging the vocals down too before a brilliant solo seamlessly seeps into the song’s latter half. Ultimately, what’s offered here is extreme song-writing and musical delivery at it’s best. ‘Artificial Harvest of the Obscene’ delivers a number filled with metallic dissonance and perfect momentum. Coupled with another great lead-guitar solo and extra atmospherics (mainly due to ambient sounds and samples), Mutagenic Host lay their marker down early.

‘Organometallic Assimilation’ marks the near-midway point in the album and it’s where the superior drum production comes to the fore. Honestly, it boosts the song over and above what has come before it (to my ears anyway), not that the song’s other components don’t of course. It just hits differently because of the percussion. As is the norm now, interludes are a popular way of building anticipation and atmosphere, and ‘DIRECTIVE:: [kill_on_sight]’ is one of the better examples I’ve heard for a long time.

If this write-up seems slightly disjointed it’s because I racked up 13 hours in my day job on Tuesday, followed by normal 8 hour shifts yesterday and today. I know that’s not a lot in the grand scheme of things but it’s enough to leave me feeling a bit wiped out (especially with a new work I.T. toy to keep my brain stimulated). Maybe it’s slightly ironic that the next song is called ‘Incomprehensible Methods of Slaughter’ then. The glorious intro led by both bass and percussion leads to a doom/death-inspired monolith. Okay, it’s more OSDM than doom/death but it still hits the same.

The drumming throughout The Diseased Machine sounds massive, but it sounds even more so on ’S.W.A.R.M (Systematic War Against Restless Machines)’. Said drumming also makes the rest of the band rise up to the same level too. For a song so late on in the album to still sound so focused and intense is a joy (if that’s the right word!). Penultimate song ‘Promethean Dusk’ draws from the slam influence again, even if subtly. Mutagenic Host do a great job of settling the slam down alongside both traditional and brutal death metal. 

Closing with the album’s longest song ‘Rivers of Grief’, Mutagenic Host inject sampled-screams and haunting ambient/sci-fi sounds into an intro that heralds a full-bodied, instrumental-led death metal track. It’s actually quite a treat to hear their instruments coming to front as they do and as the volume fades, so does the adrenaline. The spacey, ethereal outro is comforting but it doesn’t hide the fact that the record is over.

From demo to debut album, it feels like the step change for Mutagenic Host has been massive. The recording work done by Boulty at Stuck on a Name Studio in Nottingham and Charlie Wilson at Monolith Studios in London (both great independent recording studios), coupled with the mixing and mastering from Ben Jones (who also worked on their demo), really elevated this release. Ash, Jack, Sami, Dan and George have nailed it here and hopefully there’s much more to come.

You can stream The Diseased Machine and purchase it digitally, as well as on tape and CD from Mutagenic Host below:-

Mutagenic Host - https://www.facebook.com/MutagenicHost

You can also buy physical copies from the labels below:-

Dry Cough Records - https://www.drycoughrecords.com/category/dry-cough-releases

Gurgling Gore - https://www.gurglinggore.com/category/our-releases

Memento Mori - http://www.memento-mori.es/store_search.php?text_search=Mutagenic+Host&genre=0&search_home=store_death

Dry Cough Records - https://www.facebook.com/DryCoughRecords

Memento Mori - https://www.facebook.com/memento.mori.label

Chivàla - Boato

Labels: Fireflies Fall/Friendly Otter/No Funeral Records/Pike Records/Shove Records/Stonehenge Records/Through Love Records/Zilpzalp Records

Formats: Vinyl/CD/Digital

Release Date: 27 Dec 2024

Tracklist:

1. Oggetto di scena

2. Far tremare il corpo

3. Cuore di pietra

4. Non lascia nulla

5. Non diremo

6. Alla Fine della corsa

7. Rumore di passi

Last month I received an e-mail from Axel (who heads up German DIY label Pike Records) asking if I would like to review the newest record from Italian post-hardcore/screamo band Chivàla. Due to being behind on my e-mails I missed Axel's initial message but I thankfully caught the second one and humbly accepted the offer. Little did I know that Axel's offer would include a physical copy of the record. 

Fast-forward a few weeks and it has arrived. Axel sent me a copy on red vinyl, which has come out great! I've been familiar with Chivàla for quite a while now; so much so that I own a copy of their split with Suirami on tape. I've featured them here a few times before and I'm quietly trying to fill their discography gaps in my collection (amongst a myriad of others).

The sun’s shining, I’m surrounded by records and I have no plans for the rest of the day. I make it time to give this lovely piece of Italian screamo a spin. The cover art catches my eye due to it’s abstract nature. Not sure if that’s as hint to what the music will sound like but I’m about to find out. Opener ‘Oggetto di scena’ sounds a lot more laid-back and melodic than expected; especially the instrumentation. The vocals are a mix of spoken-word/shouted vocals in the verses and semi-cleans/screams later on. All lyrics are in Italian and are beautifully woven into the song. 

It’s beauty that flows through Boato, as ‘Far tremare il corpo’ mixes melody with off-kilter percussion and a take on modern post-hardcore that feels like it’s done a complete 180 degree turn, heading back to the sound of the early 00’s. That was a crossover time for me as I was discovering a lot of punk/core bands and moving slightly away from metal. ‘Cuore di pietra’ highlights the intricacies that exist in Chivàla’s music. I guess alongside countrymen like Ojne and Shizune, I’d place them next to La Dispute purely due to the fact that they do the clean guitar/spoken-word verses so well and when they explode, they do so in a short, controlled manner.

The pattern of following a mid-tempo song with an up-tempo one isn’t a new thing but here it works really well, as ‘Non lascia nulla’ immediately hits top gear. The screams are so passionate and they help to make the instrumental/clean sections sound even better. The latter half of Boato is slightly more precise, yet it comes complete with extra layers, especially during ‘Non diremo’. Subtle atmospheric, almost blackened riffs are added into the mix for a brief period. I guess that’s where Chivàla get their post-rock influence from. Whatever the approach, this is still a fantastic song.

‘Alla fine della corsa’ is the album’s penultimate number and even at this late point in the record, Chivàla’s sound is still as inspiring. The blend of soaring guitar melody, epic low-end/percussion and multi-layered vocals might sound complex though in truth it’s anything but. Everything is perfectly intertwined. Ending with ‘Rumore di passi’ and it’s most beautiful musicianship, I’m in complete ecstasy and in awe of just how good Chivàla are as a complete band. It takes time for any band to truly find their sound, especially when they’re competing with so many others. Given that it’s been a little over six years since their debut EP, I think it’s safe to say that Chivàla have found theirs. If you need more persuasion before listening to this record, you’re in the wrong place.

You can stream and purchase Boato digitally via bandcamp below:-

You can also get physical CD/Vinyl copies from Chivàla above.

Chivàla - https://www.facebook.com/chivalaband

Physical copies are also available from the labels below:-

Fireflies Fall - https://firefliesfall.com/product-category/releases/ 

No Funeral Records - https://store.nofuneral.ca/collections/no-funeral-vinyl

Pike Records - https://www.pikerecords.com/releases/

Shove Records - https://shoverec.bandcamp.com/merch

Stonehenge Records - https://www.stonehengerecords.com/?orderby=alphabetical

Through Love Records - https://shop.throughloverec.com/collections/releases

Fireflies Fall - https://www.facebook.com/firefliesfall

Friendly Otter - https://www.facebook.com/friendlyotterrex

No Funeral Records - https://www.facebook.com/nofuneral8

Pike Records - https://www.facebook.com/pikercrds

Shove Records - https://www.facebook.com/profile.php?id=100062967532917

Stonehenge Records - https://www.facebook.com/profile.php?id=100053696468870

Through Love Records - https://www.facebook.com/ThroughLoveRec

Zilpzalp Records - https://www.facebook.com/zilpzalpdiy

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